Royal Treatment Money, 2016
Shepard Fairey (Obey)   Best sellers Famous Artists

Painting : Stencil, tirage fine art · 61 x 45 x 1 cm 24 x 17.7 x 0.4 inch · Ready to hang

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About the artwork

Type

Painting : numbered and limited to 3 copies

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Stencil , tirage fine art on aluminium

Dimensions ( cm • inch )

61 x 45 x 1 cm 24 x 17.7 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

64 x 49 x 6 cm 25.2 x 19.3 x 2.4 inch

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Vetted seller since 2016 • Top Seller

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Description
Original work of Shepard Fairey aka Obey Giant on aluminium.
Only 3 copies.
Framing oak by the care of the artist.
The frame is an integral part of the work.
Signed and dated 2016 lower right.
Countersigned and numbered 2/3 on the back of the work.
Mixed media, stencils, painting and silkscreen on Aluminum.
Perfect state.

"I’m incredibly ashamed that our country has short-sightedly withdrawn from the Paris Climate Accord. I don’t think Donald Trump and his administration represent the feelings of the majority of Americans. In my discussions, I’ve found that most Americans care about the future of their children and the world’s fate. As a nation, we have prided ourselves on technological innovation in the past and as we are now faced with dwindling finite fossil resources and the overwhelming and irrefutable evidence of climate change, we have a choice to either dwell in the past or innovate for the future.

From both a moral and economic standpoint, renewable energy is the way for the U.S. to lead the world. A tremendous percentage of the U.S. population lives in low-lying coastal areas, so the potential long-term costs of failing to address climate change and watching as sea levels rise will be much greater than the short-term economic benefit of business-as-usual. The bottom line is that Trump has made a huge mistake that makes the U.S. look foolish and selfish.

We all have a moral obligation to preserve the planet for future generations and I happen to believe that it is possible to do that while innovating energy solutions that the U.S. can sell to the rest of the world. Morality and prosperity can co-exist symbiotically if we put our minds to it. I propose less military spending and more research and development spending. Please speak up on this issue if you are like-minded… our future and that of the planet depends on it!"

– Shepard

Street art

Ecology

Environment

Grey

Shepard Fairey (Obey), Royal Treatment Money
United States  • 1970
6904 followers

Presentation

Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.

In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.

At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.

In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.

Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.

Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.

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