Anaïs, 2017
Painting : oil · 134 x 100 x 3 cm 52.8 x 39.4 x 1.2 inch · Ready to hang
€3,800
3 800 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 148
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
134 x 100 x 3 cm 52.8 x 39.4 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2018
Discount
This seller offers discount when you purchase multiple artworks.
Description
Presentation
Born in Provence in 1950, he returned to Avignan to the School of Fine Arts in 1967, and worked in the studio of the artist Michel Steiner, then a teacher in this establishment. He had a special interest in drawing and painting, so chose to study painting.
Modern painting, mainly the impressionists, were a huge influence, and later he went on to study the old masters of the Flemish, Dutch and Italian schools. Today, drawing on the old masters, he remains under the influence of the modern Degas, Daumier and the Impressionists Modigliani, Soutine, Giacometti… The main themes found in his works are nature and the human body in its simplest form.
“I have nothing to pass on to the public. I think the act of painting is personal. Once the painting is finished, those who look at it will make a personal interpretation based on their own sensitivity. “
Modern painting, mainly the impressionists, were a huge influence, and later he went on to study the old masters of the Flemish, Dutch and Italian schools. Today, drawing on the old masters, he remains under the influence of the modern Degas, Daumier and the Impressionists Modigliani, Soutine, Giacometti… The main themes found in his works are nature and the human body in its simplest form.
“I have nothing to pass on to the public. I think the act of painting is personal. Once the painting is finished, those who look at it will make a personal interpretation based on their own sensitivity. “
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