Modou, Retratos de Lavapies, 2015
Baptiste Laurent   Emerging artists

Painting : oil, aerosol paint, acrylic, Posca · 142 x 110 cm 55.9 x 43.3 inch

€2,500 2 500 €

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Painting : Unique artwork

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Artwork sold in perfect condition, not framed

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Dimensions ( cm • inch )

142 x 110 cm 55.9 x 43.3 inch Height x Width x Depth

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Description
Lavapies portraits / 2015

The starting point of this show was about a contemporary representation of “Le radeau de la Méduse” painted in 1819 by Géricault, which is the scene of the sinking of the frigate La Méduse off the coast of Mauritania, sent by France to reach the port of Saint Louis in Senegal. Scenes of shipwrecks, we have almost daily in our newspapers. I first thought that meeting people who have lived this odyssey would be the best way to compile a set of story. I live in the district of Lavapiès in Madrid for about ten years where I met migrant people who were willing to join my approach. But the confidence of a traumatic journey is not so easy to tell, and I finally realized a series of portraits as a first approach. The project ended with an exhibition in Madrid of about twenty acrylics and oils large portraits. Part of the show went also to Tetouan and Tangier.

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Baptiste Laurent, Modou, Retratos de Lavapies
France  • 1980
306 followers

Presentation

Baptiste Laurent (1980, Nantes) is a visual artist residing in Spain since 2007. He has exhibited in various artistic and cultural institutions such as the Palais de Tokyo, the Museo Nacional de Antropología in Madrid, the French Institute in Madrid, Esquina Nua , Espacio Seara, the Alliance Française de Madrid, the Gazzambo Gallery and the FL Gallery.

He developed his artistic practice as an autodidact, alongside his studies in political science and art history. He has been artistic director and manager of cultural projects in many cultural and artistic institutions (Palais de Tokyo, La Maison Rouge, Venice Biennale, Gallería Continua, etc.)

His traditional medium is painting, but he also works in sculpture and develops projects with a strong literary, social and anthropological component. In his recent publications and exhibitions "Mauvaises Tournures", "Bajo el mismo mar" and "Exit", he experimented with creative work in collaboration with other visual artists but also with literary authors.

He is an anti-academic, eclectic artist, who likes the syncretism of pictorial styles, and who wavers between neo-figurative narration, graphic painting, urban art and expressionist abstraction.

Founder of the "Latolier" shared studio, located in the Usera district of Madrid, he leads a dynamic community of Spanish and international visual artists.

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