Fictions, 2014
Erwann Tirilly  

Painting : oil · 200 x 340 x 3 cm 78.7 x 133.9 x 1.2 inch

€42,000 42 000 €
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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

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Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

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Dimensions ( cminch )

200 x 340 x 3 cm 78.7 x 133.9 x 1.2 inch Height x Width x Depth

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Description
Fictions is a set of fifteen oil paintings on wood panels which measure 60 x 60 cm each.

Interview by Frédéric Porcher, philosopher, with Erwann Tirilly (December 2014)

- What is behind your new exhibition?​

"The series Fictions is part of the desire to create a mythology, to propose an opaque and mysterious narration taking place on thirty scenes.
To build this narrative, I am amalgamated themes that I have long since re-examined: psychoanalysis, the medical world, and religious iconography. I thought of paintings that might look like dreams or nightmares, but with these specific references.
I like to produce double meaning, to create enigmas by diverting the aesthetics of sacred art. So I used allegorical images, symbols with many levels of connotations.
I have long been a stained glass restorer, and that is surely where my taste for iconic representations comes from and my fascination with the forms that the story of the Bible takes. The path is reversed in my work. Implicitly my paintings refer to a mystical and introspective narrative whose field expands with each new series of painting.
For Fictions I really wanted to emphasize the circulation and the spaces between the images.
I like to think that this series of paintings could be the matrix of a film."

- Why is anatomy so present in your painting (skeleton, heart, mouth, sex, eyes, etc.)? Everything happens as if you wanted to make each organ a subject in its own right ...

"Yes it's true, sometimes I use the organs as icons, a little like the "sacred heart" that is often found on stained glass. It's almost a way of connecting anatomy, science to religious iconography.
In the series Fictions, there is for example a painting called Urano sex. It represents an immaculate body, surmounted by a medallion in which I painted the male genitals. I placed it there as a totem, it symbolizes a biological function but also an identity construction.
I have a real fascination for the functioning of each organ and for their disturbing beauty. They still carry a strong symbolic charge, perhaps because the inside of the body has been taboo for so long. With the incredible advances of medicine, the human body is viewed differently today, our old representations are flickering.
When I paint intestines or a brain, it's a way of probing the human body, looking for where our humanity comes from. I think that I arrived there avoiding at all costs to make portrait: what some look for in a look, I look for me directly in the bowels."

Portrait

Fantastic

figurative

Detail

France  • 1978

Presentation

Erwann Tirilly, born in 1978 in Finistère, is a French painter whose work explores the boundaries between the imaginary, the human body, and the invisible. His painting draws on multiple influences, ranging from religious iconography to psychoanalysis, including the medical and scientific worlds. His works, often imbued with mystery, are hybrid images that question the viewer about profound themes such as transformation, identity, and introspection.

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