Study after Laocoon 3, El Greco painting and Greek sculpture, 2019
Painting : acrylic · 45.72 x 60.96 x 0.1 cm 18 x 24 x 0 inch
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Shipped from: United States
Delivery to: Italy , € 408
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
45.72 x 60.96 x 0.1 cm 18 x 24 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work is part of the series Abstract Studies after Old Masters.
(Note: the original El Greco Laocoon is in the U.S. National Gallery of Art in D.C).
Dana Gordon is an American abstract painter whose exuberant work has for decades directly explored the potential of mark-making and line to create meaning-imbued color, shape, and space. In recent years, he increasingly pushed his line into the expressive possibility of liquid calligraphy.
Presentation
Gordon graduated in Art from Brown University, Providence. He then studied with artists Tony Smith, George Sugarman and Ad Reinhardt at Hunter College, New York where he earned a MA in Art. After his studies, he had the opportunity to work for Smith and Sugarman as their assistant in their studios. Dana Gordon also studied photography and film with Aaron Siskind at the Institute of Design in Chicago.
Early in his career, Gordon produced shaped, three-dimensional canvases before re-exploring painting, directly using mark-making and line as his main vehicle or entry point.
In his 2010-2014 paintings, the line has become the edge of the shapes, providing shapes for full expression of colour. Gordon thinks of the shapes, adjoining shapes, and clusters of shapes as little paintings in themselves, within the larger whole painting.
Dana Gordon was immersed in an artistic environment during his youth, visiting many times the Art Institute of Chicago. However the epiphany that made him comprehend creativity emerged from jazz clubs, hearing and seeing the improvisations of geniuses artists Miles Davis and John Coltrane.
When painting, Gordon is interested in the visual conversation between colours, shapes and lines, this approach is depicted in his paintings likewise in essays he wrote for various publications about his inspiring artist Camille Pissaro. Dana Gordon’s kaleidoscopic compositions are contemplative and evoke somewhat Orphic Cubism.
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