Going In Circles, 2019
Alexander Benz

Photography : pigment ink, black & white edition, fine art print

40 x 40 x 0.2 cm 15.7 x 15.7 x 0.1 inch

€460
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About the artwork

Type

Numbered and limited to 35 copies

22 copies available

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Dimensions cm inch

40 x 40 x 0.2 cm 15.7 x 15.7 x 0.1 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: France

Visiting beaches off-season always fascinated me. The absence of people, the slightly too windy and too cold weather, the rough sea. This circular building is the changing room at this particular location and had a very special feel too it due to its emptiness and minimal look.

The image was taken with a Leica Q and shot as is. The only manipulation done to the picture are basic image adjustments.

The photo is printed on a Hahnemühle Satin Photo Rag fine art paper to increase the sense of this shot containing lots of grey areas.
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About the seller

Professional art gallery • France

Artsper seller since 2021

Vetted Seller

This seller rewards your purchases of multiple artworks


Imagine it at home

Alexander Benz, Going In Circles
France  • 1974

Presentation

Alexander Benz is a Paris based photographer originally from Zurich, Switzerland. He studied photography at the International Center of Photography in New York City and later obtained a masters in art curating from the University of Stockholm, Sweden.

Alexander is currently woking on a personal project called "Myself in Others" where he take pictures of his surroundings at times when they resonate strongly with how he feels at that very moment in space and time. The images are instant recreations, filtered through his emotions, of spontaneous chance encounters that took place at that particular location just moments before. The trigger to his reaction might be a strange setting, an unusual movement or a partly hidden subject just before they make eye contact.

The square format, the clean and minimal environment and the subtraction of any colour puts the focus on the momentary, often slightly playful or unexpected story rather than the actual subject itself. One could think of the images as movie stills, freeze frames of his reflections on something that just happened, something perhaps even barely noticeable at first-- as those reflections play out on the screen of his imagination. To him those images are a way to contemplate the absurdity of his own life, how he selectively sees his surrounding, the people he encounters and himself in the midst of it all.

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