Bain de soleil à l'abri, Deauville, 2021
Christelle Yambayisa  

Photography : C-print · 70 x 105 x 1 cm 27.6 x 41.3 x 0.4 inch

€2,800 2 800 €

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Shipped from: France

Delivery to: Germany , € 100

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About the artwork

Type

Photography : numbered and limited to 5 copies

5 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

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Signature

Signed artwork

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Dimensions ( cm • inch )

70 x 105 x 1 cm 27.6 x 41.3 x 0.4 inch Height x Width x Depth

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Description

This black and white photograph depicts an intriguing scene of what appears to be a circular public space with distinctive architecture. Taken under a slightly cloudy sky, the image captures a moment frozen in time, particularly highlighting the striking contrasts between light and shadow. The location presented is a group of booths arranged in an arc, their doors neatly aligned to create a fascinating geometric repetition. Each booth is separated by white columns that add a harmonious symmetry to the scene. In the left corner, two people sit in the sunlight, one quietly reading while the other appears absorbed in thought. To the right, two other individuals also sit, their postures denoting a silent conversation or a moment of reflection. The marked absence of frenetic activity gives the image an atmosphere of serenity and isolation. The slightly sloping ground of the central courtyard, partially sheltered by a low wall, evokes interesting shadow plays. This architectural detail reinforces the impression of a place carefully designed for rest and meditation. The choice of monochrome revitalizes the textures and forms, accentuating the linear purity of the columns and the softness of the cloudy sky. In short, this work accurately captures the tranquility of a moment suspended in an environment where architectural simplicity and discreet human interactions subtly meet.

Christelle Yambayisa, Bain de soleil à l'abri, Deauville
Rwanda  • 1988

Presentation

Born in Rwanda on 12 January 1988, Christelle Yambayisa arrived in France in 1996 after fleeing the genocide. It was in 2015, while preparing a thesis in strategy and governance, that she was offered the chance to become a model.
Her passion for photography began at a very early age, and in a way enabled her to put words and feelings to her difficult past. Over the years, she has used photography as a means of expressing her traumas.
Her story and certain experiences have led her to speak out publicly on a number of social and political issues, including the cult of age in modelling, the legal status of models and online hate and racism. These events have also led her to come face to face with genocide.
Ever since she was very young, she has been documenting her life, as a way of creating her own memories. All her early childhood photos were destroyed during the war. Her exhibition La Mode, Les Mondes is the first step the artist has taken towards a personal remembrance of the Rwandan genocide. She wants to encourage people who have lived through the same thing as her to express themselves on the subject in a non-political and non-partisan way.
Her photographs are composed of landscapes, portraits, moments of work and life captured with SLRs and hybrids between 2013 and 2020, and in equal measure with film and hybrid photography up to the present day.

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