Architects Anonymous, 2017
Alexander Benz   Emerging artists

Photography : pigment ink, black & white edition · 80 x 80 x 0.1 cm 31.5 x 31.5 x 0 inch

$2,089 2 089 $US

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Shipped from: France

Delivery to: United States , $ 116

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 10 copies

7 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Dimensions ( cm • inch )

80 x 80 x 0.1 cm 31.5 x 31.5 x 0 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description

While working on a photo project called "Uglytecture" I was scouting buildings together with an interior designer from Stockholm. Although this particular place didn't fall into the category of ugly, it did however represent the anonymous concrete style that was often used in fast expanding cities. The image was taken with a Leica Q and shot as is. The only manipulation done to the picture are basic image adjustments. The photo is best printed on a satin fine art paper like Hahnemuehle to increase the sense of this lowlight shot containing grain and lots of dark areas.

Alexander Benz, Architects Anonymous
France  • 1976

Presentation

Alexander Benz is a Paris based photographer originally from Zurich, Switzerland. He studied photography at the International Center of Photography in New York City and later obtained a masters in art curating from the University of Stockholm, Sweden.

Alexander is currently woking on a personal project called "Myself in Others" where he take pictures of his surroundings at times when they resonate strongly with how he feels at that very moment in space and time. The images are instant recreations, filtered through his emotions, of spontaneous chance encounters that took place at that particular location just moments before. The trigger to his reaction might be a strange setting, an unusual movement or a partly hidden subject just before they make eye contact.

The square format, the clean and minimal environment and the subtraction of any colour puts the focus on the momentary, often slightly playful or unexpected story rather than the actual subject itself. One could think of the images as movie stills, freeze frames of his reflections on something that just happened, something perhaps even barely noticeable at first-- as those reflections play out on the screen of his imagination. To him those images are a way to contemplate the absurdity of his own life, how he selectively sees his surrounding, the people he encounters and himself in the midst of it all.

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