Colombes A, 2017
Photography : fine art print · 150 x 100 cm 59.1 x 39.4 inch
$2,091
$1,882
1 882 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 314
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 5 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
150 x 100 cm 59.1 x 39.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
Through the lens of her camera, she first sees an authoritarian frame; vertical, horizontal, concave lines, then when she approaches them, she captures other abstract compositions, ordered sections of colors and matter. She captures urban architectures with the desire to surprise us. Corinne Cavillac takes her photographs instantaneously, in natural light, without filters or plastic retouching. The only thing that counts is the idea, the trick that turns a moment, a volume, a line, an angle, a texture, a color spotted and caught towards something completely different. The shooting takes on a new meaning, in another upside-down, unprecedented frame. This arrangement of the construction emphasizes the structural point of view. It is seen as a purely malleable aspect.
Presentation
In the lens of her camera, she first sees an authoritative grid; vertical, horizontal, concave lines, then when she approaches it, she captures other abstract compositions, ordered sections of colour and matter. She captures urban architecture with the desire to surprise us. Corinne Cavillac takes her photographs instantly, in natural light, without filters or plastic retouching. The only thing that counts is the idea, the trick that turns a moment, a volume, a line, an angle, a texture, a colour spotted and caught into something completely different. The shot takes on a new meaning, in another, inverted, new frame. This arrangement of the construction accentuates the structural point of view. It is seen as a purely malleable aspect.
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