#17 From El envuelto Divino Series, 2021
Photography : color edition, archival pigment print · 101.6 x 70.9 x 0.3 cm 40 x 27.9 x 0.1 inch
$2,000
2 000 $US
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 70.9 x 0.3 cm 40 x 27.9 x 0.1 inch Height x Width x Depth
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Credentials
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Description
#17, 2021 From "El Envuelto Divino" Series Archival Pigment Print on Hahnemühle paper
Image size: 40 in. H x 27.9 in. W. Edition of 10 + 1AP
More Editions & Sizes Small: 24 in. H x 16.7 in. W. Edition of 10 + 1AP
This provocative artwork features a nude figure posed in an acrobatic headstand, forming an arch that is simultaneously vulnerable and powerful. The individual's body is juxtaposed with a live chicken perched confidently on their back, creating a striking contrast between human and animal, fragility and balance. The minimalist setting, with its stark and neutral background, focuses attention on the unusual coexistence of these two beings. The chicken, with its feathers detailed in brown and white, adds an element of whimsy and unpredictability. Presented with meticulous attention to physical form and tension, this piece challenges conventional notions of strength and harmony, evoking a dialogue about interspecies relationships and the unexpected beauty found in constraint and balance.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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