La salle d'attente (The waiting room), 2020
Photography : digigraphy · 100 x 172 x 4 cm 39.4 x 67.7 x 1.6 inch · Ready to hang
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 8 copies
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
100 x 172 x 4 cm 39.4 x 67.7 x 1.6 inch Height x Width x Depth
Artwork dimensions including frame
105 x 180 x 6 cm 41.3 x 70.9 x 2.4 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2023
Description
By creating her own worlds, her series bring us into a universe that we immediately recognize. Thanks to different stages including the manufacture of the sets, the shooting of the models, the staging or even the digital work, Muriel Bordier ventures into the representation of the codes of today's society with her interpretation of the reality, light and humorous. Muriel Bordier's photographs create a bond with the spectator and leave him free to stop, to look at or to interpret what he wishes to invent his own stories by going, or not, to look for the slightest detail.
She success to create both a great soft, refined and zen atmosphere side of his dreamlike world that makes us dream and soothes us.
Presentation
Muriel Bordier always approaches her subjects with a certain taste for derision and humor. Model, plasticine, digital special effects are all tools with which the artist plays with malice. She constructs small worlds, revealing her own version of a reality which she mockingly mocks. Parody is its register when it evokes the everyday; burlesque and humor, his favorite codes of representation.
Muriel Bordier greedily explores “common sense”. The cultural codes of Western society, through its practices and its conception of the world, have always been his favorite subjects. In her most recent works, she particularly questions our relationship to image and photography.
His Museum spaces won him the 2010 Arcimboldo Prize for photography. She playfully evokes the uses and stereotypes specific to contemporary art. She stages disproportionate spaces, presented as a counterfeit of the White Cube, where small characters and works of art are confronted. These places without scale, bathed in a sanitized atmosphere, by dint of emptiness and light, become views of the mind, intangible spaces, virtual but also poetic.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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