La salle d'attente (The waiting room), 2020
Muriel Bordier   New & remarkable Artists

Photography : digigraphy · 100 x 172 x 4 cm 39.4 x 67.7 x 1.6 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Photography : numbered and limited to 8 copies

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

100 x 172 x 4 cm 39.4 x 67.7 x 1.6 inch Height x Width x Depth

Artwork dimensions including frame

105 x 180 x 6 cm 41.3 x 70.9 x 2.4 inch

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Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2023

Description
In her photography’s series, human bodies are deliberately small and disproportionate to their surroundings.
By creating her own worlds, her series bring us into a universe that we immediately recognize. Thanks to different stages including the manufacture of the sets, the shooting of the models, the staging or even the digital work, Muriel Bordier ventures into the representation of the codes of today's society with her interpretation of the reality, light and humorous. Muriel Bordier's photographs create a bond with the spectator and leave him free to stop, to look at or to interpret what he wishes to invent his own stories by going, or not, to look for the slightest detail.
She success to create both a great soft, refined and zen atmosphere side of his dreamlike world that makes us dream and soothes us.
Muriel Bordier, La salle d'attente (The waiting room)
France  • 1965
55 followers

Presentation

Muriel Bordier always approaches her subjects with a certain taste for derision and humor. Model, plasticine, digital special effects are all tools with which the artist plays with malice. She constructs small worlds, revealing her own version of a reality which she mockingly mocks. Parody is its register when it evokes the everyday; burlesque and humor, his favorite codes of representation.


Muriel Bordier greedily explores “common sense”. The cultural codes of Western society, through its practices and its conception of the world, have always been his favorite subjects. In her most recent works, she particularly questions our relationship to image and photography.


His Museum spaces won him the 2010 Arcimboldo Prize for photography. She playfully evokes the uses and stereotypes specific to contemporary art. She stages disproportionate spaces, presented as a counterfeit of the White Cube, where small characters and works of art are confronted. These places without scale, bathed in a sanitized atmosphere, by dint of emptiness and light, become views of the mind, intangible spaces, virtual but also poetic.

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