Untitled XXIV. From the Series Chiromorphose, 2010
Photography : black & white edition, archival pigment print · 49.8 x 49.8 x 0.3 cm 19.6 x 19.6 x 0.1 inch
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About the artwork
Type
Photography : numbered and limited to 20 copies
20 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
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Signature
Signed artwork
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Dimensions ( cm • inch )
49.8 x 49.8 x 0.3 cm 19.6 x 19.6 x 0.1 inch Height x Width x Depth
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Description
Untitled XXIV (nc-16-S2-0005) 2010 by Nico Baixas Sheet size: 50 H cm x 50 W cm. Image size: 45 H cm x 45 W cm. Edition of 20 + 1AP Unframed Black & White photography More Sizes and Editions: Large size: 100 H cm x 100 W cm. Sheet size: 90 H cm x 90 W cm. Edition of 5 + 1AP. "Chiromorphose" 2010 Nico Baixas / Gos-com-fuig (Photographies by Mara Sanchez-Renero)
This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, I explored them like someone examining a foreign body, searching for their limits and pushing them in different directions. To do this, I used opposed sculptural concepts like straight-curved, and simple-complex; searched for the interconnection between fingers, and the balance between distances, and tried to generate geometric shapes and textures. At times, I would find shapes that were like doors opening onto a myriad of new possibilities. Throughout the process, I discovered a world of fingers that transformed reality taking it to another level. It is an abstract development, I didn't try to make the forms resemble known things. Despite this, the results are very suggestive, sometimes they look like architectural constructions or industrial designs, shells, corals, branches, flowers, masks. This effect is produced because many of these real objects are made with the same proportions or mathematical patterns inherent in nature. This is a question that interested me a lot. The fact that the distance of the finger bones coincides with the Fibonacci numbers, related to the golden ratio, which the Greeks and Renaissance considered the ideal of beauty, gives these shapes a special balance and perhaps a divine dimension.
This artwork showcases a striking black-and-white depiction of two hands intricately intertwined against a neutral background. The composition highlights the elegance and dexterity of the human form, capturing a moment of poised tension and grace. The elongated fingers are arranged into a complex, almost geometric pattern, evoking a sense of movement and connection. Each hand is adorned with simple, subtle wristbands, adding contrast and focus to the delicate interplay of fingers. The monochrome palette accentuates the texture and shadow, drawing attention to the subtle shapes and contours. This piece eloquently explores themes of unity and expression through meticulous detail, emphasizing the beauty found in everyday gestures.
Presentation
Nico Baixas / Gos-com-fuig is a creative interdisciplinary artist from Barcelona. He started performing in theater at three years of age with his parent's company La Claca whose most important work was a collaboration with the famous painter Joan Miró.
Surrounded by an ambient of artistic freedom, Nico spent most of his childhood in art museums and theaters of the five continents when he resolves to pursue an artístic career, studying music, working in cinema and acting.
On his mother's side, his grandparents were deaf and spoke sign language, Nico inherited a special talent with his hands creating a unique style of virtuoso hand puppet performances.
After joining Cirque du Soleil his work is acclaimed by audiences and critics of major cities like New York, Tokyo, Paris, London, Rome...
Aside from his career as an actor and hand puppeteer, Nico develops a more personal line of work which he signs as Gos-com-fuig. With this alter ego he uses his hands and body to paint and create abstract and figurative photographs, videos, sculptures, and multimedia performances which give the viewer lots of freedom of interpretation.
This body of work started with a collection of all the shapes that can be created with two hands which are formed by one thousand shapes organized in order. The project received the grant GENERACIONES 07 and was presented at the art fair ARCO (Madrid).
Afterward, continued with a photographic exhibition, the publication of a book, and the development of a multimedia system composed of a computer program and video cameras which allowed him to paint using his hands and body.
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