XII 166 // XII Mustang, Nepal (XL), 2018
Jimmy Nelson  

Photography : C-print · 165 x 315 cm 64.96 x 124 inch

€55,792 55 792 €

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Shipped from: United States

Delivery to: Italy , € 425

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

165 x 315 cm 64.96 x 124 inch Height x Width x Depth

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Credentials

Vetted seller since 2023

Description

Series: Before They Pass Away

"XII 166 - Tsering Yangzom, Tachung & Tsering Wangmo - Tangge Village, Upper Mustang - Nepal, 2011

The former kingdom of Lo is linked by religion, culture and history to Tibet, but is politically part of Nepal. Now while Tibetan culture is in danger of disappearing, the Mustang culture of Lo stands alone as one of the last Tibetan cultures existing today. Until 1991 no outsiders were allowed to enter Mustang.

“The one who is guilty has the higher voice"

The traditions of the people of Lo are closely related to early Buddhism. Most still believe that the world is flat. They are religious, prayers and festivals are an integral part of their lives. The grandeur of the monasteries illustrates the prominent position of religion."

All available sizes and editions:

24.41" x 43.31", Edition of 9

39.37" x 70.87", Edition of 6

55.11" x 102.36", Edition of 3

64.96" x 124.2", Edition of  1

Jimmy Nelson

United Kingdom  • 1967

Presentation

I take pictures. I make images. Unlike film, which overwhelms you with movement and sound, defining the ongoing moment, a photograph just sits there quietly while you decide what it is saying.


I strongly believe that artists must always be part of a conversation, and share provocative ideas. My idea is that of aesthetic and empowerment for a better world. I hope that with my work, remote, indigenous people (in many cases without a global perspective) get a better sense of their uniqueness and importance in the world we all live in, which will support them to be more resilient to the pressures around them.


This personal artistic documentation is a way of re-igniting the fire and pride within and for indigenous people, of creating mutual respect for all people, and of empowering future generations all over the world to illuminate their cultural heritage.


So all of us will see the bigger picture and stand united in our diversity, to meet the enormous challenges we face as humankind in the decade to come.

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