The Exile of Death, 2015
Maria Daniel Balcazar  

Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch

€1,499 1 499 €

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Shipped from: United Kingdom

Delivery to: France , € 77

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2021

Description

A haunting black and white landscape captures a sprawling cemetery etched into a rugged hillside. The composition balances the heavy stillness of stone with the vastness of a desolate horizon. Each tomb stands as a silent witness to memory and endurance. The artist employs a documentary gaze to explore the intersection of faith and cultural survival. 
High contrast tones emphasize the weathered textures of the masonry and the harshness of the terrain. A solitary cross pierces the sky, anchoring the scene in a spiritual context. The rhythmic repetition of the graves creates a visual map of collective history. 
This archival pigment print transforms a site of mourning into a study of resilience. The absence of color strips away distraction, focusing the viewer on the raw geometry of the ruins. Light washes over the valley, casting soft shadows that suggest a timeless suspension. The image serves as a poignant reflection on the persistence of identity through the remnants of the past. The scene concludes with the sharp silhouette of a distant mountain range.

Maria Daniel Balcazar, The Exile of Death
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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