XV 86 // XV Papua New Guinea (S), 2010
Jimmy Nelson  

Photography : C-print · 62 x 86 cm 24.41 x 33.86 inch

€7,439 7 439 €

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Shipped from: United States

Delivery to: Spain , € 113

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 9 copies

6 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

62 x 86 cm 24.41 x 33.86 inch Height x Width x Depth

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Credentials

Vetted seller since 2023

Description

Series: Before They Pass Away

"XV 86 - Bartholomeuw, Rubin, Gibson, Samson, Kalam Tribesmen - Simbai, Nukunt Village, Bismark Range, Central Highlands - Papua New Guinea, 2010.

The eastern half of the New Guinea island gained full independence from Australia in 1975, when Papua New Guinea was born. The indigenous population is one of the most heterogeneous in the world. Traditionally, the different groups scattered across the highland plateau live in small agrarian clans.

“Knowledge is only rumour until it is in the muscle."

The first visitors were impressed to find valleys of carefully planned gardens and irrigation ditches. The women of the indigenous groups are exceptional farmers. The men hunt and fight other tribes over land, pigs and women. Great effort is made to impress the enemy with terrifying masks, wigs and paint."

All available sizes and editions:

24.41" x 33.86", Edition of 9

39.37" x 55.11", Edition of 6

55.11" x 78.74", Edition of  3

66.93" x 96.46", Edition of 1

Portrait

Landscape

figurative

Costumes

Tradition

brown

Jimmy Nelson, XV 86 // XV Papua New Guinea (S)

Jimmy Nelson

United Kingdom  • 1967

Presentation

I take pictures. I make images. Unlike film, which overwhelms you with movement and sound, defining the ongoing moment, a photograph just sits there quietly while you decide what it is saying.


I strongly believe that artists must always be part of a conversation, and share provocative ideas. My idea is that of aesthetic and empowerment for a better world. I hope that with my work, remote, indigenous people (in many cases without a global perspective) get a better sense of their uniqueness and importance in the world we all live in, which will support them to be more resilient to the pressures around them.


This personal artistic documentation is a way of re-igniting the fire and pride within and for indigenous people, of creating mutual respect for all people, and of empowering future generations all over the world to illuminate their cultural heritage.


So all of us will see the bigger picture and stand united in our diversity, to meet the enormous challenges we face as humankind in the decade to come.

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