XVI 233 // XVI Rabari, India (L), 2012
Jimmy Nelson  

Photography : C-print · 170 x 140 cm 66.93 x 55.11 inch

$30,000 30 000 $US

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Shipped from: United States

Delivery to: United States , $ 141

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About the artwork

Type

Photography : numbered and limited to 3 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

170 x 140 cm 66.93 x 55.11 inch Height x Width x Depth

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Credentials

Vetted seller since 2023

Description

Series: Before They Pass Away.

"XVI 233 - Rabari Nobleman - Rathanambore National Park - Aman Bagh, Rajasthan - India, 2012.

For almost 1,000 years, the Rabari have roamed the deserts and plains of what is today western India. It is believed that this indigenous group, with a pronounced Persian physiognomy, migrated from the Iranian plateau more than a millennium ago. The Rabari are now found largely in Gujarat and Rajasthan.

“It is morning whenever you wake up."

The Rabari women dedicate long hours to embroidery, a vital and evolving expression of their crafted textile tradition. They also manage the hamlets and all money matters, while the men are on the move with the herds. Livestock, wool, milk and leather, is their main source of income."

All available sizes and editions:

29.13" x 24.41", Edition of 9

47.24" x 39.37", Edition of 6

66.93" x 55.11", Edition of  3

81.69" x 66.93", Edition of 1

Portrait

figurative

Costumes

Tradition

brown

Jimmy Nelson, XVI 233 // XVI Rabari, India (L)

Jimmy Nelson

United Kingdom  • 1967

Presentation

I take pictures. I make images. Unlike film, which overwhelms you with movement and sound, defining the ongoing moment, a photograph just sits there quietly while you decide what it is saying.


I strongly believe that artists must always be part of a conversation, and share provocative ideas. My idea is that of aesthetic and empowerment for a better world. I hope that with my work, remote, indigenous people (in many cases without a global perspective) get a better sense of their uniqueness and importance in the world we all live in, which will support them to be more resilient to the pressures around them.


This personal artistic documentation is a way of re-igniting the fire and pride within and for indigenous people, of creating mutual respect for all people, and of empowering future generations all over the world to illuminate their cultural heritage.


So all of us will see the bigger picture and stand united in our diversity, to meet the enormous challenges we face as humankind in the decade to come.

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