Untitled. Aerial Landscape, 2015
Photography : Watercolour, color edition, sand, archival pigment print · 76.2 x 101.6 x 0.3 cm 30 x 40 x 0.1 inch · Ready to hang
€1,860
1 860 €
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Shipped from: United States
Delivery to: Germany , € 270
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 10 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Watercolour , color edition , sand , archival pigment print on Fine art paper
Dimensions ( cm • inch )
76.2 x 101.6 x 0.3 cm 30 x 40 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
81.3 x 106.7 x 2.5 cm 32 x 42 x 1 inch
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
This artwork exquisitely captures an aerial view of a sprawling, industrial landscape. At its center, a complex network of rusted metal pipes and structures traverses the sandy, barren earth, evoking a sense of human intervention in a natural setting. The muted tones of beige and brown dominate the scene, highlighting the arid environment, while patches of vibrant green suggest areas of vegetation or possibly industrial runoff. This contrast between the artificial and natural elements elicits a reflection on the impact of industry on nature. The meticulous detail in the depiction of the structures and terrain creates a texture that feels almost tactile, inviting viewers to explore the intricate balance between man-made and organic forms. The artwork’s perspective offers a unique, almost abstract interpretation of industrial landscapes, serving as a profound commentary on environmental and societal themes.
Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster, or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures.
Presentation
Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper's Bazaar, LIFE, Interview, Details, George, Vanity Fair, and many more publications.
Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track.
Shooting mostly from the air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man's wider imprint on nature. Whether it's the graphics symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
Jill was recognized in Photo Lucida's Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.
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