Van Gogh, 2024
Photography : archival pigment print · 69.9 x 69.9 x 0.3 cm 27.5 x 27.5 x 0.1 inch
$2,000
2 000 $US
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 5 copies
5 copies available
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
69.9 x 69.9 x 0.3 cm 27.5 x 27.5 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
Janela do Tempo is a visual meditation on impermanence and transformation — an ode to the fleeting nature of urban life. In a city where change is the only constant, Eduardo Rezende captures moments suspended between construction and decay, loss and renewal. Through his lens, the ephemeral becomes eternal. The photographer's gaze reveals the hidden poetry within transition — scaffolds, walls, and surfaces that bear the silent marks of time and human presence. Each photograph is a window into the passage of life, transforming ordinary scenes into metaphors of resilience and rebirth. Rather than documenting, Rezende interprets. His images hover between reality and abstraction, inviting the viewer to reflect on the fragile balance between permanence and change. In these visual “paintings," time itself becomes the subject — layered, cracked, and luminous. Janela do Tempo is ultimately a reflection on how we inhabit transformation. It celebrates the beauty of what is incomplete, the poetry of what fades, and the subtle rhythm of becoming. In capturing what is transient, Eduardo Rezende offers more than images of urban landscapes — he offers a philosophy of looking. His photographs remind us that every ruin, every wall, every fragment carries within it the quiet art of time itself.
From The Janela do Tempo series Archival pigment print on canvas
More sizes and editions: 39.3 x 39.3 in. Edition of 3 +1AP
Presentation
Eduardo Rezende, born in Rio de Janeiro in 1977, was introduced to the world of art early in life, influenced by his mother, an art dealer.
He began his professional journey in photography in 2001 and has since developed a distinctive visual language marked by graphic precision, expressive use of color, and a sculptural attention to the textures and forms of the urban environment.
His work centers on the observation of spaces in transformation. Elements that would typically go unnoticed become silent protagonists. Even in the absence of human figures, his images carry traces of time, labor, and matter.
Through his lens, Eduardo elevates the ordinary into visual constructions of striking graphic and chromatic impact. His photographs challenge perception: at times, it is difficult to tell whether what we see is flat or three-dimensional, a photograph or something beyond. They offer a new perspective on the world, inviting the viewer to find beauty and meaning beyond the obvious.
Living between different cultures and geographies, Eduardo brings to his work a nomadic and contemporary gaze-one that sees the world through what is in flux, in ruins, or in the process of being rebuilt. His photography is always searching for what exists in between: between the visible and the veiled, between the surface and the substance, between what was and what is still becoming.
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