Sem Luz, 2024
Eduardo Rezende  

Photography : archival pigment print · 69.9 x 69.9 x 0.3 cm 27.5 x 27.5 x 0.1 inch

$2,500 2 500 $US
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Shipped from: United States

Delivery to: United States , $ 100

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 5 copies

5 copies available

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

69.9 x 69.9 x 0.3 cm 27.5 x 27.5 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description

This artwork beautifully frames a stark contrast between nature and decay. A square opening in the wall reveals an exquisite view of barren trees against a brilliant blue sky, symbolizing resilience amidst desolation. The wall's peeling paint, with its textured, weathered surface, suggests a forgotten structure succumbing to time. This juxtaposition of the neglected wall and the vibrant scene beyond creates a powerful narrative of rebirth and continuity. The artist masterfully uses natural framing to draw the eye to the living landscape, prompting reflection on the relentless passage of time and nature's enduring beauty. The worn wall and the untouched vista engage in a silent dialogue, inviting viewers to ponder themes of abandonment and renewal. This contrast infuses the piece with a haunting yet hopeful aura, making it a compelling study of resilience and transformation.

Architecture

Buildings

Brazil

Colors

Abandoned Buildings

Trees

Beige

Sky blue

Eduardo Rezende, Sem Luz
Brazil  • 1977

Presentation

Eduardo Rezende, born in Rio de Janeiro in 1977, was introduced to the world of art early in life, influenced by his mother, an art dealer.
He began his professional journey in photography in 2001 and has since developed a distinctive visual language marked by graphic precision, expressive use of color, and a sculptural attention to the textures and forms of the urban environment.
His work centers on the observation of spaces in transformation. Elements that would typically go unnoticed become silent protagonists. Even in the absence of human figures, his images carry traces of time, labor, and matter.
Through his lens, Eduardo elevates the ordinary into visual constructions of striking graphic and chromatic impact. His photographs challenge perception: at times, it is difficult to tell whether what we see is flat or three-dimensional, a photograph or something beyond. They offer a new perspective on the world, inviting the viewer to find beauty and meaning beyond the obvious.
Living between different cultures and geographies, Eduardo brings to his work a nomadic and contemporary gaze-one that sees the world through what is in flux, in ruins, or in the process of being rebuilt. His photography is always searching for what exists in between: between the visible and the veiled, between the surface and the substance, between what was and what is still becoming.

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