Soviet Theme Park, 2021
Photography : color edition, HD print · 60 x 90 x 0.27 cm 23.6 x 35.4 x 0.1 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 86
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 30 copies
28 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
60 x 90 x 0.27 cm 23.6 x 35.4 x 0.1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
Located in eastern Kyrgyzstan, Arslanbob is a high-altitude village famous for housing one of the largest walnut forests in the world. Legend has it that during the Soviet era, Red Army soldiers felled thousands of trees to ship the wood to England, where the luxury carmaker Rolls-Royce used it to line the interiors of its vehicles. Just before the war, Churchill reportedly fell in love with these woodworks and asked Stalin for more in exchange for weapons.
It was also during this period that the Soviets built the amusement park on the mountainside, which now stands obsolete. As an unexpected relic, it remains a silent witness, caught between the memory of the trees, political history, and the passage of time.
Presentation
Coming from a background in journalism, Maïlys Derville approaches photography through a field-based documentary practice, initiated alongside photographer Corinne Vachon. She has developed an approach based on immersion, long-term commitment, and proximity to the communities she encounters.
Throughout her travels in Africa, Central Asia, and Europe, she has built several striking series. "Mystic Valley" (2019), shot in the Wakhan Valley in Afghanistan, documents the daily life of the Wakhi people, far from the dominant representations of the country. "Only God Forgets" (2020) explores the Romanian Maramureș, a rural territory caught between Soviet heritage and contemporary mutations.
More recently, she traveled to Andalusia to photograph the Pentecost pilgrimages in El Rocío, capturing collective dynamics and bodies in the midst of religious fervor and festive celebration. At the crossroads of documentary and art, her work prioritizes portraiture, natural light, and sober compositions. Rooted in a humanist tradition, her photography seeks to capture the essence of beings and the density of ordinary moments, carrying themes of memory, transmission, and life.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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