Soviet Theme Park, 2021
Maïlys Derville  

Photography : color edition, HD print · 60 x 90 x 0.27 cm 23.6 x 35.4 x 0.1 inch

€950 950 €
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Shipped from: France

Delivery to: Germany , € 86

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 30 copies

28 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Dimensions ( cm • inch )

60 x 90 x 0.27 cm 23.6 x 35.4 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Located in eastern Kyrgyzstan, Arslanbob is a high-altitude village famous for housing one of the largest walnut forests in the world. Legend has it that during the Soviet era, Red Army soldiers felled thousands of trees to ship the wood to England, where the luxury carmaker Rolls-Royce used it to line the interiors of its vehicles. Just before the war, Churchill reportedly fell in love with these woodworks and asked Stalin for more in exchange for weapons.

It was also during this period that the Soviets built the amusement park on the mountainside, which now stands obsolete. As an unexpected relic, it remains a silent witness, caught between the memory of the trees, political history, and the passage of time.

Maïlys Derville, Soviet Theme Park
France  • 1992

Presentation

Coming from a background in journalism, Maïlys Derville approaches photography through a field-based documentary practice, initiated alongside photographer Corinne Vachon. She has developed an approach based on immersion, long-term commitment, and proximity to the communities she encounters.

Throughout her travels in Africa, Central Asia, and Europe, she has built several striking series. "Mystic Valley" (2019), shot in the Wakhan Valley in Afghanistan, documents the daily life of the Wakhi people, far from the dominant representations of the country. "Only God Forgets" (2020) explores the Romanian Maramureș, a rural territory caught between Soviet heritage and contemporary mutations.

More recently, she traveled to Andalusia to photograph the Pentecost pilgrimages in El Rocío, capturing collective dynamics and bodies in the midst of religious fervor and festive celebration. At the crossroads of documentary and art, her work prioritizes portraiture, natural light, and sober compositions. Rooted in a humanist tradition, her photography seeks to capture the essence of beings and the density of ordinary moments, carrying themes of memory, transmission, and life.


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