Drops of God, 2025
Photography : color edition, pigment ink, inkjet, digital, paper, HD print, fine art print · 60 x 90 x 0.27 cm 23.6 x 35.4 x 0.1 inch
€950
950 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 46
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 30 copies
30 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
60 x 90 x 0.27 cm 23.6 x 35.4 x 0.1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
On the Côte Chalonnaise, the vines have established themselves in the landscape like characters in their own right. Here, life revolves around their slow maturation, and every change in the sky becomes an event: the frost that freezes, the wind that sweeps, the discreet trickles, the timid sun, then the return of the gentler days.
The seasons follow one another, keeping the inhabitants in suspense until the ultimate moment: the long-awaited grape harvest. In this fragile balance between patience and promise, the vine reveals an austere, almost sacred beauty.
Presentation
Coming from a background in journalism, Maïlys Derville approaches photography through a field-based documentary practice, initiated alongside photographer Corinne Vachon. She has developed an approach based on immersion, long-term commitment, and proximity to the communities she encounters.
Throughout her travels in Africa, Central Asia, and Europe, she has built several striking series. "Mystic Valley" (2019), shot in the Wakhan Valley in Afghanistan, documents the daily life of the Wakhi people, far from the dominant representations of the country. "Only God Forgets" (2020) explores the Romanian Maramureș, a rural territory caught between Soviet heritage and contemporary mutations.
More recently, she traveled to Andalusia to photograph the Pentecost pilgrimages in El Rocío, capturing collective dynamics and bodies in the midst of religious fervor and festive celebration. At the crossroads of documentary and art, her work prioritizes portraiture, natural light, and sober compositions. Rooted in a humanist tradition, her photography seeks to capture the essence of beings and the density of ordinary moments, carrying themes of memory, transmission, and life.
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