Bronze Sculpture for Sale
Untitled, Woman next to a car, 1956
Photography : black & white edition · 30 x 30 x 1 cm 11.8 x 11.8 x 0.4 inch · Ready to hang
€1,800
1 800 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 70
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
30 x 30 x 1 cm 11.8 x 11.8 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
50 x 40 x 3 cm 19.7 x 15.7 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This black and white masterpiece captures the timeless elegance of bygone eras. At the heart of the image, a woman in sophisticated attire exudes bold grace. Her curled hat perfectly complements her slender figure. She deliberately leans against a vintage car, symbolizing both luxury and vintage charm. The background, a tree-lined street, evokes a chic urban atmosphere. The harmonious composition skillfully plays with contrasts of light and shadow, accentuating the details of the scene. The car's curved lines and the woman's posture create a visual synergy, demonstrating thoughtful artistic vision. This work not only captivates the eye with its aesthetic beauty but also invites a nostalgic journey through an era defined by style and refinement.
Presentation
Born in Paris in 1925, Georges Dambier was during the War, the pupil of the famous painter and poster artist Paul Colin who taught him graphic design and gave him a taste for decoration, fashion, pretty women and Parisian life. After the Liberation, he became the assistant of Willy Rizzo, a talented photographer with whom he discovered a new art, of which he soon learned to master the subtleties and more particularly the use of light. In post-war Paris, aged 20, Georges Dambier photographs the nightlife and social celebrations now in full explosion and is the witness of the life of "All-Paris", its celebrities, its places to fashion, its brilliant parties. Photos of Rita Hayworth negotiated for a permanent position as reporter-photographer at France Dimanche will launch her professional career. Although passionate about current events, the young photographer nevertheless prefers to capture the glamor, and capture life in all its brilliance, its refinement. His taste for graphics and his ability to recreate reality with rare elegance lead him to fashion photography. In 1952, he was noticed by Hélène Lazareff, founder of Elle, who gave him a chance and published her first fashion report. It is with his agreement and his support that he launched the avant-garde concept of "tourist-photographer". It is a question of leaving with a complete team (models, fashion editor, hairdresser, stylist…) to photograph Haute Couture models in resorts such as Italy, Morocco, Corsica, Yugoslavia, Brazil. Georges Dambier captures women dressed in magnificent dresses in an original setting: in the middle of the desert, in a village market, on a boat and above all in the bustle of this Paris that he adores. He is one of the first in France to bring models out of the studios and he does not hesitate to free models from fixed poses and stereotypical attitudes, while nevertheless defending a demanding execution. At the start of the 1950s, Georges Dambier opened his own studio. Freelance, he still works for Elle but also for the main fashion magazines (Vogue, Marie France, the Express and connects the major advertising campaigns. He also produces show posters and record covers and all the show business of the 1960s thus passed his goal. In 1964, Georges Dambier embarked on a very personal project and created Twenty, a monthly for young people and dedicated to fashion and culture, but this ambitious adventure would last only two years. His friend Maurice Siegel called on him in 1976 and together they created VSD for which Georges Dambier was entrusted with the artistic direction and produced the famous logo. At the end of the 80s, Georges Dambier left the press and joined his family home in the Périgord to make it a charming hotel and give free rein to his passion for decoration, where he died in 2011.
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