Notre-Dame de Paris, 2015
Photography : fine art print · 35 x 53 x 0.5 cm 13.8 x 20.9 x 0.2 inch · Ready to hang
€700
700 €
Shipping & delivery
Shipped from: France
Delivery to: Italy , € 65
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 25 copies
10 copies available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
35 x 53 x 0.5 cm 13.8 x 20.9 x 0.2 inch Height x Width x Depth
Artwork dimensions including frame
51 x 66 x 2.5 cm 20.1 x 26 x 1 inch
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
A photograph of Notre Dame Cathedral in Paris taken in 2015, well before the tragedy. This is one of the artist's rare photographs, published in an edition of 25 (all sizes combined).
Edouard Mazaré has been working for over 10 years on a complex photographic technique that he has entirely developed. The final result is highly pictorial. Each shot is taken in a single, long exposure and without any editing software: the composition is created directly on site. There are no double or triple exposures here; everything is done blindly for a unique composition.
• Photograph taken in a single, long exposure and without any editing.
• Edition 6 of 25.
• Fine art print on 308 g Hahnemühle paper.
• Black aluminum frame.
• Under glass.
Presentation
Edouard Mazaré is a French photographer. A graduate of the École Nationale des Beaux Arts in 2007, Edouard has been fully engaged in a fascinating artistic series for over 10 years now. Taking a pictorial approach to photography, he assembles the elements at his disposal in real time to extract their graphic essence into a final image. Each of his photographs is therefore taken in a single long shot (between 1 and 12 minutes) and without any editing software. He composes directly in situ using a technique he has fully developed and is still perfecting today. Here, there is no double exposure or superimposition; everything is done blindly during the long shot, allowing for a unique photographic rendering.
In this world where the image has become omnipresent every second and on every network, he enjoys slowing down time, feeling and obtaining rare, constructed and graphic images.
This approach has allowed Edouard to work on major projects for major French names (LVMH, Bouygues, Paprec, Cristal Union) and to win a prize at the Academy of Arts, Sciences and Letters.
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