Métal et dentelles n° 3 / 3, 2025
Photography : fine art print · 80 x 120 x 0.5 cm 31.5 x 47.2 x 0.2 inch · Ready to hang
€3,850
3 850 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 280
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 3 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
80 x 120 x 0.5 cm 31.5 x 47.2 x 0.2 inch Height x Width x Depth
Artwork dimensions including frame
84 x 124 x 3 cm 33.1 x 48.8 x 1.2 inch
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
The Eiffel Tower is legendary from every point of view. A material of absolute finesse, right at your fingertips.
Edouard Mazaré has been working for over 10 years on a complex photographic technique that he has entirely developed. The final result is highly pictorial. Each shot is taken in a single, long exposure and without any editing software: the composition is created directly on location. There are no double or triple exposures here; everything is done blindly for a unique composition.
• Photograph taken in a single long shot and without any editing.
• Print run number 3/3 (last copy)
• Fine art print under anti-reflective acrylic glass
• American-style crate in matte black metal
• Printed by an exclusive French laboratory - their expertise offers exceptional print quality and results.
Presentation
Edouard Mazaré is a French photographer. A graduate of the École Nationale des Beaux Arts in 2007, Edouard has been fully engaged in a fascinating artistic series for over 10 years now. Taking a pictorial approach to photography, he assembles the elements at his disposal in real time to extract their graphic essence into a final image. Each of his photographs is therefore taken in a single long shot (between 1 and 12 minutes) and without any editing software. He composes directly in situ using a technique he has fully developed and is still perfecting today. Here, there is no double exposure or superimposition; everything is done blindly during the long shot, allowing for a unique photographic rendering.
In this world where the image has become omnipresent every second and on every network, he enjoys slowing down time, feeling and obtaining rare, constructed and graphic images.
This approach has allowed Edouard to work on major projects for major French names (LVMH, Bouygues, Paprec, Cristal Union) and to win a prize at the Academy of Arts, Sciences and Letters.
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