Quiet Screw York, 2025
Mélina Delbert  

Photography : fine art print · 60 x 80 x 1.5 cm 23.6 x 31.5 x 0.6 inch · Ready to hang

€3,000 €2,700 2 700 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 145

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 30 copies

30 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

60 x 80 x 1.5 cm 23.6 x 31.5 x 0.6 inch Height x Width x Depth

Artwork dimensions including frame

60.3 x 80.3 x 1.6 cm 23.7 x 31.6 x 0.6 inch

Sold by

Independent artist

Credentials

Vetted seller since 2026

Description

"Quiet Screw York" is a four-image photographic series that tells a cycle: that of a city confronted with its own destruction, and then its rebirth.

It all begins in a peaceful atmosphere, under a blue moon. Then comes the eclipse: the city falls into shadow and the threat sets in. The third image marks the rupture: human intervention comes to break the balance and leaves the city in ruins. In the last photograph, nature gradually reclaims its rights: flowers and plants invest the still standing structures and a new balance appears.

Through this metamorphosis, it questions our relationship to change, to the balance between man and his environment, and to the world's capacity to be reborn after chaos.

"Quiet Screw York" opens the series. The city appears intact, peaceful, bathed in the blue light of the moon. Everything still seems in balance, almost immutable. A suspended moment, before the first shadows come to disturb this harmony.

Urban Landscape Artworks

Planets

Reflection

Skyline

City

Black

Grey

Mélina Delbert, Quiet Screw York
France  • 1972

Presentation

Mélina Delbert is a French photographer whose work explores reality by playing with its displacements, ambiguities, and poetic part.

Her photography navigates between staged compositions, landscapes, the animal world, and scenes captured in public spaces. Rather than sticking to a single genre, she builds series in which the image becomes the starting point for a story, an emotion, or a question.

Her work gives important place to détournement and double reading. An ordinary object can become a landscape, a daily scene can take on an absurd or poetic dimension, while nature and the animal world become the support for more intimate emotions.

With Screw York, she builds an imaginary city from industrial objects and tells, in four photographs, a cycle of imbalance, destruction, and rebirth. The series questions the place of man in his environment and the possibility of a new balance after the chaos.

Her work has been presented in several exhibitions and distinguished in international photography competitions.

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