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Codes esthétiques 0373, 2015
Konstantin Kornakov  

Photography : pigment ink · 60 x 45 cm 23.6 x 17.7 inch

€800 800 €
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Shipped from: France

Delivery to: Germany , € 29

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 4 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

60 x 45 cm 23.6 x 17.7 inch Height x Width x Depth

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Vetted seller since 2017 • Top Seller

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This seller offers discount when you purchase multiple artworks.

Description

Everything we see around us holds a hidden aesthetic, and the artist's goal is to perceive it and set it free. Nothing is accidental in our world, where all objects possess not only a utilitarian purpose but also contain within themselves certain 'aesthetic codes.' Photographing sections of walls in today’s cities is an attempt to participate in the shift in perception triggered by the widespread urban phenomenon. Indeed, sidewalks and decaying walls may seem uninteresting at first glance. Yet, they are witnesses to the powerful forces of rapid decay at work in the cities.

The walls photographed by Konstantin Kornakov bear the marks of this ‘leprosy’ that covers the abandoned walls in certain corners of the cities. In a number of his images, one can distinguish such signs, which, though they appear to address no one, still bear witness to humanity's presence on earth. These are cracks, stains, uncertain patterns that, when viewed up close and enlarged, begin to speak our language, for it is we who have ultimately inscribed these signs.

Abstract

Windows

Wall

Rust

Red

Konstantin Kornakov, Codes esthétiques 0373
Russian Federation  • 1970
51 followers

Presentation

Painter and designer, Konstantin Kornakov is also a photographer. His images have the particularity that even if he photographs elements he sees and finds in the street, they represent neither people, nor objects, nor real landscapes.

He uses his device less as a means of recording reality than as an instrument of vision. Because what he photographs are visions first of all. He need indeed have had some kind of visual revelation to be able, then, to press the shutter.

His motives are fragments of urban landscapes, non-identifiable corners with no importance for "where", but with its plastic quality, the visual event, the fact of appearance of an element of beauty in the cacophony of the world.

Artist lives and works in Moscow.

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