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Bernard Pras

162 - Vénus, 2014

$6,183

Bernard Pras 162 - Vénus, 2014

Name: 162 - Vénus
Brand: Artsper
SKU: 338968
Price: 6183 EUR
Availability: InStock

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$6,183

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The artwork is available for pickup from the gallery in Le Touquet, France

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Galerie BAYART

Paris, France

Artsper seller since 2013
86 orders finalized

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About the work

Medium

Photography : cibachrome
Dimensions cm | inch

106 x 80 x 3 cm 41.7 x 31.5 x 1.2 inch
Support

Photography on Diasec
Framing

Black aluminium flush chassis
Type

Numbered and limited to 5 copies
1 remaining copy
Authenticity

Work sold with an invoice from the gallery
and a certificate of authenticity
Signature

Signed artwork
About the artwork

Artwork sold in perfect condition

Work created in anamorphosis by installing an inventory of objects selected by the artist. Work under diasec laminated on aluminum. With aluminum frame.
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Delivery

Artsper's galleries deliver artworks worldwide, and using specialized carriers. The artwork is available for pickup from the gallery in Le Touquet, France or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France
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Free return

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Collector’s Guide

Themes: Icons, Portrait

Artist

Tags:

botticelli

venus

Bernard Pras

France Born in: 1952 Bestsellers Masterpieces

Having spent part of his childhood in his grand-mother's grocery store, he has developed a strong and privileged relationship with objects and inventories of all sorts. At the crossing of pop art and performance, in-between figuration and ?dis-figuration?, Bernard Pras?s work doesn't leave any viewer indifferent?

A graduate of the Ecole des Beaux-Arts in Toulouse in 1974, Bernard Pras is a virtuoso of the anamorphosis and of the juxtaposition of eclectic objects, carefully chosen to be in resonance with his subjects; he creates an image that is comprehensible from a single, pre-defined point of view. this is the art of the secret perspective that Dürer was talking about?

Christian-Louis Eclimont says of the artist:

"An athlete of the optical effect, Pras moves between the infinitely composite and the infinitely composed, using his eye as a camera that captures the patterns while they are being projected.?"

Giving up his paintbrushes and painting for the hand, the object and a camera, he has been appropriating images of art history and contemporary society since 1998. The color and the stroke become object and the composition - an installation punctuated by dozens of images. Without photography, the installations would remain the privilege of a few, unique spectators of this metamorphosis during which the act of recycling becomes art.

Without this final moment that is the last picture taken, marked by a luminous flash, when the artist transforms the three dimensions in only two for the greatest pleasure of our eyes, Bernard Pras?s work could not exist.