Ernesto, 2014
Bernard Pras   Famous Artists

Photography : color edition · 105 x 86 x 3 cm 41.3 x 33.9 x 1.2 inch · Ready to hang

€5,000 5 000 €
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Shipped from: France

Delivery to: Germany , € 250

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 5 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

105 x 86 x 3 cm 41.3 x 33.9 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

105 x 86 x 3 cm 41.3 x 33.9 x 1.2 inch

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Description
Ernesto (Che Guevara) created in anamorphosis by installing an inventory of objects selected by the artist. Photography under diasec laminated on aluminum. Aluminum frame. Easy hanging
Bernard Pras, Ernesto

Bernard Pras

France  • 1952
625 followers

Presentation

Having spent part of his childhood in his grand-mother's grocery store, he has developed a strong and privileged relationship with objects and inventories of all sorts. At the crossing of pop art and performance, in-between figuration and ?dis-figuration?, Bernard Pras?s work doesn't leave any viewer indifferent?

A graduate of the Ecole des Beaux-Arts in Toulouse in 1974, Bernard Pras is a virtuoso of the anamorphosis and of the juxtaposition of eclectic objects, carefully chosen to be in resonance with his subjects; he creates an image that is comprehensible from a single, pre-defined point of view. this is the art of the secret perspective that Dürer was talking about?

Christian-Louis Eclimont says of the artist:

"An athlete of the optical effect, Pras moves between the infinitely composite and the infinitely composed, using his eye as a camera that captures the patterns while they are being projected.?"

Giving up his paintbrushes and painting for the hand, the object and a camera, he has been appropriating images of art history and contemporary society since 1998. The color and the stroke become object and the composition - an installation punctuated by dozens of images. Without photography, the installations would remain the privilege of a few, unique spectators of this metamorphosis during which the act of recycling becomes art.

Without this final moment that is the last picture taken, marked by a luminous flash, when the artist transforms the three dimensions in only two for the greatest pleasure of our eyes, Bernard Pras work could not exist.

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