254. Miro, 2022
Bernard Pras   Famous Artists

Sculpture : object, assemblage · 46 x 38 x 15 cm 18.1 x 15 x 5.9 inch

€14,000 14 000 €
Shipping & delivery

Shipped from: France

Delivery to: Germany , € 180

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

46 x 38 x 15 cm 18.1 x 15 x 5.9 inch Height x Width x Depth

Dimensions of pedestal:

62 x 51 x 20 cm 24.4 x 20.1 x 7.9 inch

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Credentials

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Description
Anamorphosis made by an assembly of found objects. Inspired by a self-portrait by artist Joan Miro painted in 1919.

Portrait

Self-portrait

Joan Miro

Beige

Red

Bernard Pras

France  • 1952
625 followers

Presentation

Having spent part of his childhood in his grand-mother's grocery store, he has developed a strong and privileged relationship with objects and inventories of all sorts. At the crossing of pop art and performance, in-between figuration and ?dis-figuration?, Bernard Pras?s work doesn't leave any viewer indifferent?

A graduate of the Ecole des Beaux-Arts in Toulouse in 1974, Bernard Pras is a virtuoso of the anamorphosis and of the juxtaposition of eclectic objects, carefully chosen to be in resonance with his subjects; he creates an image that is comprehensible from a single, pre-defined point of view. this is the art of the secret perspective that Dürer was talking about?

Christian-Louis Eclimont says of the artist:

"An athlete of the optical effect, Pras moves between the infinitely composite and the infinitely composed, using his eye as a camera that captures the patterns while they are being projected.?"

Giving up his paintbrushes and painting for the hand, the object and a camera, he has been appropriating images of art history and contemporary society since 1998. The color and the stroke become object and the composition - an installation punctuated by dozens of images. Without photography, the installations would remain the privilege of a few, unique spectators of this metamorphosis during which the act of recycling becomes art.

Without this final moment that is the last picture taken, marked by a luminous flash, when the artist transforms the three dimensions in only two for the greatest pleasure of our eyes, Bernard Pras work could not exist.

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