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La grande vague, 2008
Bernard Pras   Famous Artists

Photography : Porcelain, archival pigment print · 60 x 80 cm 23.6 x 31.5 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Photography : numbered and limited to 40 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

60 x 80 cm 23.6 x 31.5 inch Height x Width x Depth

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Professional art gallery • Germany

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Vetted seller since 2015

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This seller offers discount when you purchase multiple artworks.

Description
Based on drawings or photographic models, Bernard Pras arranges ordinary objects into unmistakable works of art. At close range, these objects seem like random accumulations, but at a certain distance and from a certain angle, they unfold their unexpected beauty.

Bernard Pras, born in 1952, studied fine arts in Toulouse. Since 1997, after more than twenty years of painting, he has developed his unique form of expression in the history of photography, which has already made him famous in France. He uses the technique of the so-called anamorphosis, which also gave the exhibition its title.

Since the Middle Ages, an anamorphosis has been used to describe images that can only be recognized from a certain angle. This was one way of encrypting messages and brought it to true mastery and prosperity in many churches in Italy. Since the Renaissance, anamorphosis has been used in illusionist ceiling painting to compensate for the vaults and irregularities in the ceiling from the perspective of an assumed observer (looking from below).

With his large installations, apparently chaotically covering his studio or other places, Pras - thanks to his mastery of perspective and his incomparable photographic eye - breathes contemporary life into the imaginary subjects.
Bernard Pras, La grande vague

Bernard Pras

France  • 1952
625 followers

Presentation

Having spent part of his childhood in his grand-mother's grocery store, he has developed a strong and privileged relationship with objects and inventories of all sorts. At the crossing of pop art and performance, in-between figuration and ?dis-figuration?, Bernard Pras?s work doesn't leave any viewer indifferent?

A graduate of the Ecole des Beaux-Arts in Toulouse in 1974, Bernard Pras is a virtuoso of the anamorphosis and of the juxtaposition of eclectic objects, carefully chosen to be in resonance with his subjects; he creates an image that is comprehensible from a single, pre-defined point of view. this is the art of the secret perspective that Dürer was talking about?

Christian-Louis Eclimont says of the artist:

"An athlete of the optical effect, Pras moves between the infinitely composite and the infinitely composed, using his eye as a camera that captures the patterns while they are being projected.?"

Giving up his paintbrushes and painting for the hand, the object and a camera, he has been appropriating images of art history and contemporary society since 1998. The color and the stroke become object and the composition - an installation punctuated by dozens of images. Without photography, the installations would remain the privilege of a few, unique spectators of this metamorphosis during which the act of recycling becomes art.

Without this final moment that is the last picture taken, marked by a luminous flash, when the artist transforms the three dimensions in only two for the greatest pleasure of our eyes, Bernard Pras work could not exist.

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