La grande vague, 2008
Photography : Porcelain, archival pigment print · 60 x 80 cm 23.6 x 31.5 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 40 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Porcelain , archival pigment print on Hahnemuehle fine art paper
Dimensions ( cm • inch )
60 x 80 cm 23.6 x 31.5 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Germany
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Bernard Pras, born in 1952, studied fine arts in Toulouse. Since 1997, after more than twenty years of painting, he has developed his unique form of expression in the history of photography, which has already made him famous in France. He uses the technique of the so-called anamorphosis, which also gave the exhibition its title.
Since the Middle Ages, an anamorphosis has been used to describe images that can only be recognized from a certain angle. This was one way of encrypting messages and brought it to true mastery and prosperity in many churches in Italy. Since the Renaissance, anamorphosis has been used in illusionist ceiling painting to compensate for the vaults and irregularities in the ceiling from the perspective of an assumed observer (looking from below).
With his large installations, apparently chaotically covering his studio or other places, Pras - thanks to his mastery of perspective and his incomparable photographic eye - breathes contemporary life into the imaginary subjects.
Presentation
Having spent part of his childhood in his grand-mother's grocery store, he has developed a strong and privileged relationship with objects and inventories of all sorts. At the crossing of pop art and performance, in-between figuration and ?dis-figuration?, Bernard Pras?s work doesn't leave any viewer indifferent?
A graduate of the Ecole des Beaux-Arts in Toulouse in 1974, Bernard Pras is a virtuoso of the anamorphosis and of the juxtaposition of eclectic objects, carefully chosen to be in resonance with his subjects; he creates an image that is comprehensible from a single, pre-defined point of view. this is the art of the secret perspective that Dürer was talking about?
Christian-Louis Eclimont says of the artist:
"An athlete of the optical effect, Pras moves between the infinitely composite and the infinitely composed, using his eye as a camera that captures the patterns while they are being projected.?"
Giving up his paintbrushes and painting for the hand, the object and a camera, he has been appropriating images of art history and contemporary society since 1998. The color and the stroke become object and the composition - an installation punctuated by dozens of images. Without photography, the installations would remain the privilege of a few, unique spectators of this metamorphosis during which the act of recycling becomes art.
Without this final moment that is the last picture taken, marked by a luminous flash, when the artist transforms the three dimensions in only two for the greatest pleasure of our eyes, Bernard Pras work could not exist.
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