#7. From La Piedra Sustituta I Series, 2020
Photography : color edition, archival pigment print · 101.6 x 58.5 x 0.3 cm 40 x 23.02 x 0.1 inch
$2,000
2 000 $US
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 58.5 x 0.3 cm 40 x 23.02 x 0.1 inch Height x Width x Depth
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Credentials
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Description
From "La Piedra Sustituta" Series
More sizes available Small size: 24 in. H x 14.98 in. W Unframed Edition of 10 + 2AP.
This striking artwork features a nude figure entwined with a large, rugged rock against a soft pink backdrop. The juxtaposition of human vulnerability and the rock's solidity creates a compelling tension. The figure's limbs drape and grip the stone, evoking a sense of raw struggle and unity with nature. The pink background adds an unexpected softness, contrasting with the rough texture of the stone and bare skin. The composition challenges perceptions of strength and fragility, urging viewers to reflect on the interconnectedness of human existence and the natural world. The piece's dramatic visual impact is further enhanced by its minimalist setting, emphasizing the central dynamic between body and boulder.
"La Piedra Sustituta" Series Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing. The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that "institutionally" does it.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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