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Tripe 09, 2018
Thomas Ruff   Master Artists

Photography : inkjet · 40 x 50 cm 15.7 x 19.7 inch

€2,250 2 250 €
Delivered in time for Christmas
Shipping & delivery

Shipped from: Spain

Delivery to: Germany , € 45

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 50 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

40 x 50 cm 15.7 x 19.7 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2017 • Top Seller

Description

Amerapoora. My-au-dyk Kyoung. Photograph printed by Grieger, Dusseldorf, on high quality Rag Photographique Paper. Hand signed and numbered by the artist on the back. The photograph is presented inside a black portfolio folder that includes texts by Thomas Ruff and Martin Barnes, Senior Curator of the photography department of the V&A Museum. Image size: 38.3 x 30 cm. Amarapura was the capital of Myanmar twice during the Konbaung period, first between 1783 and 1821 and then again between 1842 and 1859. Today, it is part of Mandalay, the second biggest city in the country. It has many temples, pagodas and kyoungs (monasteries) that were not even built or completed when Tripe took his pictures back in 1855.

Thomas Ruff, Tripe 09

Thomas Ruff

Germany  • 1958

Presentation

Thomas Ruff was born in 1958 in Zell am Harmersbach. He lives and works in Düsseldorf, Germany. He studied photography from 1977 to 1985 with Bernd and Hilla Becher at the Kunstakademie Düsseldorf. A leading figure at the renowned Düsseldorf School of Photography, alongside fellow students such as Candida Höfer, Andreas Gursky, Axel Hütte and Thomas Struth, Thomas Ruff became famous primarily for his portraits.

Whether through the recovery of pre-existing images or through the use of digital technology, Thomas Ruff reveals the current disconnect between the subject and their image, and their impossible claim to identification and authenticity.

The initiator of large format, Thomas Ruff is undoubtedly one of the heavyweights in the contemporary photography market.

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