Castore - Plate 1, 1948
Print : lithography · 61 x 48.5 x 0.1 cm 24 x 19.1 x 0 inch
€4,800
4 800 €
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Shipped from: Italy
Delivery to: Germany , € 72
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 15 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
61 x 48.5 x 0.1 cm 24 x 19.1 x 0 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2019 • Top Seller
Description
Castore is a black and white artwork realized by Giorgio De Chirico in the half of 20th Century. Rare specimen on light blue paper. Black and white lithograph. Hand signed by artist with pencil. Signed by Artist in the bottom right on the plate. Edition of XV copies (VIII / XV) This is one lithograph ofthe series "Cavalli" published in Rome by editor Carlo Bestetti for the "Collezione dell'Obelisco". This artwork has been printed in 121 exemplars by Maestro Litografo Igino Alessandrini, Roma. Edition consists in: 3 exemplars printed on the hand-made paper of Fabriano in black-white and in colors; 15 exemplars numbered from I to XV, printed on the hand-made paper of Fabriano in black-white and in colors, in the first state; 9 exemplars for the author, editor, out of market; 94 exemplars numbered from 1 to 94, printed on the hand-made paper of Fabriano. Published in the general catalogue "G. de Chirico: Catalogo dell'Opera Grafica 1921-1969", by Alfonso Ciranna, Edizone La Medusa, Roma, 1969, N. 113
Presentation
Giorgio de Chirico (1888-1978) was an Italian painter, sculptor and writer who invented metaphysical painting under the sign of revelation.
He moved to Paris in 1911 and first fascinated Guillaume Apollinaire who, in 1913, introduced the artist into his circle - Picasso, Derain, Max Jacob, Braque, Picabia, etc. - as well as Paul Guillaume, his first merchant.
The dreamlike, prophetic dimension, the subtle incongruities and the shifts observed in the work of Giorgio de Chirico have, from the beginning of the 1920s, immediate resonances on the nascent surrealism, from Magritte, Ernst to Picabia and Eluard. André Breton sees in the artist the demiurge of a “modern mythology" in formation (1920) before accusing him of anti-modernist regressions in 1926.
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