Sans titre, 2003
Print : Screen Print · 64.5 x 51 cm 25.4 x 20.1 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 155
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 70 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
64.5 x 51 cm 25.4 x 20.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Presentation
She moved to Paris in 1949 as a young painter and has carried on her career primarily in France, although she returns regularly to the United States where she has exhibited since the early '90s at the Holly Solomon Gallery and in other New York group shows. In Paris she has exhibited at the Galerie Fournier and later began to show her work at the Nathalie Obadia Gallery. In New York City she has shown her work at the Tibor de Nagy Gallery.
Shirley Jaffe began as an abstract expressionist but her style changed to the flat, uninflected surfaces and single-colour shapes that she has used ever since. In 1968, a grant year in Berlin may reunited her thinking with the European abstraction of Arp,Tauber-Arp, Kandinski and Herbin. "It changed when I went to Berlin," she said. "I had a feeling that my paintings were being read as landscapes, which was not my intention. I felt I had to clear out the woods."
Though she works on small gouaches as preparations, when she paints in oil Jaffe inscribes her forms very large , on canvases that are more often than not, larger than a person. At this scale a longish shape may seem more like the traces of the trajectory of her drawing arm , as in an Abstract Expressionist painting. Yet , as if she were painting a geometrical abstraction, Jaffe eschews bleeding edges or almost any changes in density or atmosphere. With hard, clear edges, and flat grounds, she depends on the presence and location of discrete shapes whose structures themselves must yield up movement.
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