Les objets d'enfance 03, 2021
Konstantin Kornakov  

Print : digigraphy, pigment ink · 20 x 30 cm 7.9 x 11.8 inch

€180 180 €
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About the artwork

Type

Print : numbered and limited to 10 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

20 x 30 cm 7.9 x 11.8 inch Height x Width x Depth

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Description

In the series Childhood Objects, Moscow-based artist Konstantin Kornakov explores intimate memory through a domestic universe reduced to its essential forms. Tables, chairs, dressers, wardrobes and lamps appear isolated within dark, silent spaces, as if suspended outside of time. These ordinary, familiar objects become carriers of a deep emotional resonance.

Created as digital drawings, the works are defined by Kornakov’s distinctive visual language: rigorous composition, pared-down geometric volumes and a restrained palette of greys, whites and blacks. The precise, almost theatrical treatment of light shapes the space and places the objects into a state of tension, appearing either motionless or on the verge of collapse.

As the series unfolds, order gradually gives way to disruption. Furniture begins to topple, stack and fragment. This visual transformation evokes the fragility of childhood and the way memories shift and reassemble over time. What matters is no longer the object itself, but what it retains of lived experience, absence and silence.

Positioned between intimate narrative and symbolic abstraction, Childhood Objects offers a poetic reflection on memory, loss and the formation of identity. Through a minimalist aesthetic and a quietly charged emotional atmosphere, Kornakov invites the viewer to project their own recollections onto these seemingly simple yet deeply resonant scenes.

Architecture

Chairs

House

Shadows

TV

Grey

Konstantin Kornakov, Les objets d'enfance 03
Russian Federation  • 1970
51 followers

Presentation

Painter and designer, Konstantin Kornakov is also a photographer. His images have the particularity that even if he photographs elements he sees and finds in the street, they represent neither people, nor objects, nor real landscapes.

He uses his device less as a means of recording reality than as an instrument of vision. Because what he photographs are visions first of all. He need indeed have had some kind of visual revelation to be able, then, to press the shutter.

His motives are fragments of urban landscapes, non-identifiable corners with no importance for "where", but with its plastic quality, the visual event, the fact of appearance of an element of beauty in the cacophony of the world.

Artist lives and works in Moscow.

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