L’homme de Vitruve, 2023
Darokin  

Print : digital art, digital print · 29.7 x 21 x 1 cm 11.7 x 8.3 x 0.4 inch · Ready to hang

€250 250 €

One of the last works available by this artist

Shipping & delivery

Shipped from: France

Delivery to: France , € 18

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

Authenticity guaranteed

Sold with certificate of Authenticity from the gallery

Invoice from the gallery Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 20 copies

16 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

29.7 x 21 x 1 cm 11.7 x 8.3 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

53 x 43 x 3 cm 20.9 x 16.9 x 1.2 inch

Sold by

Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2022

Description
A true masterpiece of Western art, Mona Lisa is one of the most iconic artistic figures of all time. This universally recognizable icon embodies a period when art began to diversify and was no longer exclusively linked to the religious ideas of ecclesiastical institutions: the Renaissance.
With his work Mona Lisa, Darokin revisits this classic that forged the history of art to mix it with the renewal and modernity expressed by computer progress.
Designed in ASCII art (sum of characters that creates illustrations), this production is made from a computer program that the artist himself developed, then printed from dot-matrix printers, typical symbols of the genesis of digital technologies. . Also, Darokin concealed here a haiku generated with Chat GPT, the artificial intelligence phenomenon.
Darokin, L’homme de Vitruve

Darokin

France  • 1982

Presentation

Adrien Rebuzzi, aka Darokin, (Reims) was born in 1982, at a time when screens and computers were becoming increasingly ubiquitous in the daily lives of the future millennials of his generation.

Darokin defines himself as an "underground" programmer and computer artist. 

A programmer since childhood, Darokin uses 3D, creative coding and ASCII art, and defines himself as an "underground" computer artist.

His love of mathematics, geometry and the sacred shines through in his creations, whose universe is often imbued with an immutable immateriality evoked by computer imagery. Some of his creations come from universes relating to a bygone, fantasized era, as if to contain the passage of time. His color-blindness leads him to use a reduced color palette, a vestige of the display mode of his first IBM PS/1, which satisfies him visually: black and white contrasts and bright colors from saturated yellow, cyan and pink ranges. Through this unprecedented prism, the viewer travels back in time to the artist's childhood. 

Darokin reflects his thirst for life and his optimism in the new chapters still opening up between man and machine. More than a leap in time, it's a step towards resolving our metaphysical complexes, where scientific curiosity and poetry have never been so close and transcendent.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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