No Title 4, 2016
Print : lithography, fine art print · 68 x 49 x 0.01 cm 26.8 x 19.3 x 0 inch · Ready to hang
CHF 2,713
2 713 CHF
One of the last works available by this artist
Shipping & delivery
Shipped from: China
Delivery to: Switzerland , CHF 407
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 50 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
68 x 49 x 0.01 cm 26.8 x 19.3 x 0 inch Height x Width x Depth
Artwork dimensions including frame
80.5 x 61 x 3 cm 31.7 x 24 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
"No Title 4" (2016) is a compelling lithograph by the internationally acclaimed Japanese artist Chiharu Shiota (鹽田千春). Renowned for her monumental, immersive room installations woven from thousands of red or black threads, Shiota translates her signature obsession with memory, anxiety, and the unseen webs of human connection onto paper in this striking graphic work.
In this print, a solitary, black silhouetted figure sits isolated at a desk, completely engulfed by a torrential, swirling vortex of scattered papers and frantic lines. While the dense, chaotic hatching mirrors the dense yarn-weaving found in her famous installations like The Soul Trembles or In Silence, this particular piece strips away color to harness the raw, psychological intensity of monochrome linework. The sheets of paper—recurring motifs in her practice that represent stored memory, lost history, and silent communication—become a suffocating, atmospheric cloud that traps the subject. Rather than a simple depiction of work-related stress, the artwork serves as a deeply poetic visual metaphor for "presence in absence," evoking the heavy, universal burdens of the human mind, internal isolation, and the invisible ties that lock our thoughts inside our own private spaces.
Presentation
Born in 1972 in the Japanese city of Osaka, Chiharu Shiota has been living and working in Berlin since 1997. She studied at the Berlin University of Fine Arts then the Hamburg University of Fine Arts and worked at Rebecca Horn's studio and with Marina Abramovic. Her artistic language has been influenced by artists such as Louise Bourgeois, Eva Hesse and Ana Mendieta, both in terms of physical experimentation and an exploration of the unconscious, and with the choice of delicate materials like fabrics and thread, traditionally associated with femininity. Shiota's radical and protean artistic approach explores the notions of the body, temporality, movement, memory and dreams. Her site-specific installations are often the theatre for performances designed by the artist and involving the mental and bodily participation of the viewer.
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