En Puisaye (Avec son livre), 1996
Print : aquatint, eau-forte, etching, book · 36 x 28 x 0.01 cm 14.2 x 11 x 0 inch
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Shipped from: France
Delivery to: United States , $ 41
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Sold with certificate of Authenticity from Éditions RLD
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 80 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Éditions RLD
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
36 x 28 x 0.01 cm 14.2 x 11 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Poetics of Jean Miotte
HEAD EDITION
* Original copper engraving 22 x 15.5 cm printed on cream Auvergne paper by Richard de Bas 37.5 x 27 cm numbered and signed by the artist.
Sold with its notebook signed with the colophon and justified in 80 copies.
Unbound book including 4 original lithos and unsigned artist vignettes.
Presentation
Jean Miotte (1926 – 2016) was a contemporary French painter born in Paris. He studied mathematics and then switched to painting in 1945. He studied in Montparnasse, in the studios of painters Othon Friesz and Zadkine. In 1953, he held his first exhibition at the Salon des Réalités Nouvelles, which he attended every year thereafter. He is representative of Informal Art and lyrical abstraction. Informal Art refers to a movement characterized by the absence of traditional form and a redefined composition. This movement was born in Europe in the post-war period.
Inspired by Rouault and Matisse, Miotte attaches great importance to the choice of colours that are traced and swept on the canvas in such a way as to bring out "that sacred element in the energy of life". He went through a figurative period before evolving towards a more gestural painting. His paintings have a choreographic character, they suggest movement while rejecting corporality. He spent a few months in the United States and established relationships with renowned artists such as Rothko, Calder and Lipchitz, who inspired him. Influenced by them, he started a more descriptive work, with more marked contrasts, over wider supports.
Jean Miotte sought to create a universal language defined by abstraction and the notion of movement, of gesture. Through his work, he succeeded in breaking down cultural barriers and create a form of unity.
Miotte's works have been exhibited in museums and galleries all over the world, including the Musée d'art Moderne de la Ville de Paris, the Guggenheim Museum and the Museum of Modern Art in New York, the Ludwig Museum in Cologne, the Museum am Ostwall in Dortmund, the Saarlandmuseum in Saarbrücken and the Pinakothek in Munich. In addition, in 2002, he opened his own foundation in New York with a permanent collection of works.
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