Développement de cercles et de carrés, 2018
Print : lithography · 54 x 48 x 0.1 cm 21.3 x 18.9 x 0 inch
€2,000
2 000 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 72
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from Editions Sylvain Courbois
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 50 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Editions Sylvain Courbois
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
54 x 48 x 0.1 cm 21.3 x 18.9 x 0 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2021
Description
Frame: 60 x 60 cm black stained oak baguette and optional anti-UV museum plexiglass (contact us before ordering).
Draw:
50 copies signed and numbered from 1 to 50.
15 artist's copies signed and numbered from I to XV
Lithograph signed by the artist Julio Le Parc. This is a historical work whose drawing was made in 1958.
Presentation
Born in 1928 in Mendoza, Argentina, Julio Le Parc has lived and worked in Paris since 1958. A major artist crowned with the Grand Prize at the Venice Biennale in 1966, Julio Le Parc occupies a unique place on the contemporary art scene as as a precursor of kinetic art .
In 2025, Julio Le Parc, a pioneer of kinetic art, is once again in the spotlight on the international art scene. Born in 1928 in Mendoza, Argentina, and based in Paris since 1958, the artist has continually pushed the boundaries of visual perception and artistic experimentation.
This year, his luminous and immersive artworks are on display in several major European galleries, including in Madrid and Paris, reaffirming his lasting influence on contemporary art. Nearly 60 years after winning the Grand Prize at the Venice Biennale in 1966, Julio Le Parc continues to captivate new generations with his radical approach to movement, light, and spatial interaction.
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