Power, édition lenticulaire à 2 phases visuelles, 2024
Print : tirage fine art · 61 x 46 x 0.3 cm 24 x 18.1 x 0.1 inch
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 831 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
61 x 46 x 0.3 cm 24 x 18.1 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This original artwork by artist Shepard Fairey is a lenticular print edition with optical colors that transition based on the position of the viewer.
The edition is numbered on the certificate, itself hand-signed by the artist.
To date, we do not know of any other lenticular work published by the artist.
The work imagined by the artist includes visual phases:
- one showing a hand on a grenade and the word "Pow" in a pop art comic book style
- the other where a spray comes out of the grenade like an aerosol paint can, and the suffix "er" is added to the word "Pow", to create the word "Power".
Handcrafted and may have minor imperfections.
Shepard Fairey's works have always had a political and humanist force.
Shepard Fairey's name and work have become a household name in the international street art world. He first gained recognition for his “Andre the Giant Has a Posse" sticker campaign, launched in 1989. Widely distributed by the skateboarding community, the stickers—an experiment born out of German philosopher Martin Heidegger's phenomenological movement—spread around the world and evolved into the OBEY sticker, poster, and stencil campaign, now a global brand. Fairey later specialized in sociopolitical screen-printed posters, creating images for some of the biggest names in music, film, and politics.
Presentation
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.
At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.
In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.
Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.
Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.
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