The Best Conversation I Ever Had – Laughter (from A Journey To Death), 2021
Tracey Emin   Famous Artists

Print : lithography, Plate, fine art print · 94 x 74 x 0.01 cm 37 x 29.1 x 0 inch

$11,669 11 669 $US

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About the artwork

Type

Print : numbered and limited to 50 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

94 x 74 x 0.01 cm 37 x 29.1 x 0 inch Height x Width x Depth

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Vetted seller since 2025 • Top Seller

Description

Tracey Emin, 2021. 2 colour lithograph on Somerset Velvet Warm White 400gsm, 94 × 74 cm, (37 × 29.1 in), Signed, numbered and dated by the artist, Edition of 50, In mint condition

A Journey To Death explores the trauma of surgery for the cancer that almost claimed her life. Tracey Emin has been painting, drawing and photographing herself for a long time, but these latest nudes are her grandest and most painfully resonant work yet. Emin has always made art about her physical existence and subjects that had felt unspeakably private, from sexual assault, devastating heartbreak, and ambivalence around motherhood, grief and longing, to adolescent sexuality and menopause. Her work offers companionship for many women going through difficult and painful experiences.

Made in 2021, in these spindly blue-black works she is feeling her way through to a route back into art. Most works in the portfolio express pain, though there is also hope in some instances: the faces of her kittens Pancake and Teacup appear Then I Wasn't Alone Life Was Here, as emblems of life that will go on. The text also makes its way into her work, as it so often has in the past. “It was inside – always inside," she writes, the words hovering above her head in Even Saying Nothing is a Lie. It's a vivid, horrifying expression of a haunted body: the realisation that a hostile presence has manifested within, attacking silently from the inside.

In making herself the subject of her work, and concentrating intensely on figuration, Emin creates bridges with the rich art-historical tradition of the female figure and female nudes. She shows strong emotive force in these pictures, as seen for example in the work of male painters Munch and Schiele, which Emin admires and studied throughout her artistic oeuvre.

Tracey Emin, The Best Conversation I Ever Had – Laughter (from A Journey To Death)

Tracey Emin

United Kingdom  • 1963
185 followers

Presentation

Tracey Emin, born 3 July 1963 in Croydon, UK, is an English artist. Emin lives in Spitalfields, East London, in a Georgian house from 1726. She is part of the group known as Britartists or YBAs (Young British Artists). She studied fashion at Medway College of Design (now the University for the Creative Arts) 1980–1982.

In 2025, Tracey Emin presented a major solo exhibition, Sex and Solitude, at the Palazzo Strozzi in Florence (March 16 – July 20, 2025). This significant institutional exhibition brought together more than 60 works – paintings, drawings, sculptures, installations, and neon pieces – exploring themes of sexuality, solitude, desire, love, loss, and healing, reaffirming the autobiographical and emotional dimension of her practice. The same year, she continued the development of TKE Studios in Margate, strengthening her commitment to emerging contemporary artists through residencies and group exhibitions.

In 1999, Emin had her first solo exhibition in the United States at Lehmann Maupin Gallery, entitled "Every Part of Me's Bleeding". Later that year, she was a Turner Prize nominee and exhibited My Bed — an installation, consisting of her own unmade dirty bed with used condoms and blood-stained underwear.

In May 2011, Emin's largest major solo exhibition in a public space was held at Hayward Gallery, London titled Love Is What You Want. In December 2011, she was appointed Professor of Drawing at the Royal Academy.

Emin has received numerous honors, including being appointed Commander of the Order of the British Empire (CBE) in 2013 and Dame Commander of the Order of the British Empire (DBE) in 2024. Her works are held in prestigious collections such as the Tate, MoMA, Centre Pompidou, and the National Portrait Gallery. She continues to live and work in Margate, delving into themes of resilience, love, and memory through her deeply personal artistic practice.

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