Madonne, Circa 1964
Print : lithography · 60 x 40.2 x 1 cm 23.6 x 15.8 x 0.4 inch
$1,167
1 167 $US
One of the last works available by this artist
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Shipped from: France
Delivery to: United States , $ 152
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 100 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
60 x 40.2 x 1 cm 23.6 x 15.8 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2018
Description
Maternity with a red veil, circa 1964
Color lithograph on vellum, signed and numbered 97/100 in blue pen, monogrammed and dated in the plate, on the back wet stamp "Collection Kimiyo Foujita, SVV Cornette de St Cyr June 13, 2007" and stamp and signature of Sylvie Buisson attesting to the authenticity of this plate.
Subject of a painting reproduced in the catalogue raisonné of Sylvie Buisson, Tl 63-09
This work, executed in a refined drawing style, depicts a mother breastfeeding her child. Delicate lines elegantly trace the contours of the two centralized figures. The mother, solemn and serene, gazes forward, veiled in a light peach-colored fabric. A gentle interaction is perceived between her protective hands and the vulnerable child she is feeding. The minimalist palette, combining subtle touches of beige and pale green, highlights the tenderness of the scene. The contrast between the fine black lines and the colored washes adds a subtle depth to the work. This drawing captures the timelessness and universality of the maternal bond, evoking both strength and tranquility. The artist succeeds in conveying intimacy and humanity through masterful simplicity.
Presentation
The Lewis Caroll of painting. This is how Jean Cocteau used to call Master Léonard Foujita Tsuguharu, referring to the naive side of some of his works. He is one of the most famous artists of the Roaring Twenties (1920-1929), both in style and by his sense of fun and his friendships with leading artists of the time, such as Picasso, Derain, Apollinaire, Modigliani, Soutine, Van Dongen, Chagall, Pascin, Zadkine and in general with all the artists who were part of the School of Paris at its beginnings.
He was a master of the brush stroke: influenced by Michelangelo, Poussin and Rodin, Tsuguharu Fujita is successful with his personal style, his shiny white backs that catch the light and the subtle contours in black ink of his subjects. Steeped in European modernity, he will retain a sober and Eastern accuracy, combining "the rigor of Japanese relating to freedom of Matisse," as he said himself. After his baptism, he will prénommer Leonardo, as a reference to Leonardo da Vinci.
Painter and printmaker, Leonard Foujita was also a draftsman, illustrator, sculptor, ceramist, photographer, filmmaker, designer fashion, designer ...
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