Zoolander Blue Steel, 2016
Print : Screen Print · 61 x 45.7 cm 24 x 18 inch
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Shipped from: United States
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 450 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
61 x 45.7 cm 24 x 18 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
Medium: Screenprint on cream Speckletone Paper
Provenance: Hand-signed, numbered and dated by Shepard Fairey. Gallery certificate of authenticity included.
Edition: Limited Edition of 450 (#163/450)
ABOUT THE ART "Zoolander is one of my favorite movies, so I was really excited when I heard that a sequel was in the works! I have met Ben Stiller a few times and let him know how much I love Zoolander. I guess flattery occasionally gets you somewhere, because I was asked to do a Derek Zoolander t-shirt graphic to be used in a scene in Zoolander No. 2! Of course I got to work immediately trying to illustrate a ridiculously good-looking ridiculous portrait of Derek. The Zoolander team liked my t-shirt design enough to ask me to do some more portraits of Derek for the Blu-ray release of the original Zoolander film! I gladly accepted with one condition… that I be allowed to make a limited edition screen-printed poster of the portrait. The not-to-be-missed movie, “Zoolander No. 2", comes out this Fri., Feb. 12, and the “Zoolander Blue Steel" print comes out Tues. Feb. 16. I asked Derek Zoolander what he thought of the print, and he was kind enough to share some words of wisdom."
-Shepard Fairey
“I have been a huge fan of Shepherd Fairy since before I was super-famous and was just regular famous. To me, he's not just an artist — he's like a wisdom-y shepherd who squirts magical fairy-ink (Though I'll never understand why he makes all those pictures of Andre 3000 the Giant. There are other rapper-slash-actors, Shepherd!). So I was super stoked when he asked me to be the subject of his new work of artwork, “Zoolander Blue Steel." I'm no art critic, but I think what he made is really good and nice. Now, why Blue Steel for this portrait and not, say, Magnum? Well, Magnum means “large" in Spanish, and this is a small, limited-edition run of 450 prints. Purchase one or a few hundred, won't you? Art makes you cultured, and being cultured is not just good for Greek yogurt but also for people (both Greek and regular)."
– Derek Zoolander
Presentation
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.
At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.
In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.
Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.
Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.
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