GRAUW BEELD BLIND, 1996
Print : aquatint · 50 x 40 x 1 cm 19.7 x 15.7 x 0.4 inch · Ready to hang
€3,850
3 850 €
One of the last works available by this artist
Shipping & delivery
Shipped from: Switzerland
Delivery to: Germany , € 88
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 40 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
50 x 40 x 1 cm 19.7 x 15.7 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
52 x 42 x 3 cm 20.5 x 16.5 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
In this Color Aquatint Etching Remy Zaugg explores the fragility of perception and the instability of meaning.
The screenprint is signed and numbered on the reverse. From a highly limited edition. Both the signature and numbering are visible through a Plexiglas window on the back.
Worldwide shipping is available, with tax-friendly options for the USA and EU countries. Custom handmade framing can be arranged upon request. Each work is accompanied by a certificate of authenticity.
The Dutch words Grauw Beeld Blind (“Grey Image Blind”).—rendered in a pale, almost disappearing typographic presence—confront the viewer with the limits of vision, language, and interpretation. Zaugg’s work often questions how we perceive and process reality, situating language itself as a form of image.
Published by Peninsula Foundation
Professionally presented, by our own frame-shop, floating in a custom-made, double acid-free passe-partout, housed in an exclusive Plexiglass showcase, which can be presented standing or hanging. Size showcase : approx. 50 x 40 x 4 cm
Presentation
Remy Zaugg (1943–2005) was a Swiss conceptual artist known for his rigorous exploration of language, perception, and the relationship between text and image. His works frequently consist of short phrases or single words presented in minimal, typographic compositions that engage the viewer both visually and philosophically.
Zaugg collaborated with renowned architects such as Herzog & de Meuron, reflecting his interest in spatial experience and context. Today, his works are held in major international collections, including Tate, Centre Pompidou, and Kunstmuseum Basel.
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