Anboo masterpieces serie, 2024
Print : Digital color print · 42 x 29.7 x 0.3 cm 16.5 x 11.7 x 0.1 inch
€600
600 €
One of the last works available by this artist
Shipping & delivery
Shipped from: Italy
Delivery to: Germany , € 54
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Not Signed
Technique & Support
Dimensions ( cm • inch )
42 x 29.7 x 0.3 cm 16.5 x 11.7 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
This intriguing artwork is a playful reinterpretation of Vermeer's "Girl with a Pearl Earring," merging classical and contemporary elements. The subject, a bear with a green face, is humorously adorned with a distinctive red nose and eyes, adding whimsy. Dressed in a classic robe, the bear wears a blue and yellow headscarf, creatively replacing the iconic pearl earring with a similar sphere. The backdrop contrasts sharply with its dark, textured finish, emphasizing the figure's vibrant colors and details. This imaginative piece captures the essence of pop culture and art history, inviting viewers to explore the intersection of tradition and modernity in an unexpected, delightful manner.
Presentation
Yifan Jing aka Zorg is a Chinese visual artist based in London, with a background in Illustration from Goldsmiths, University of London. His practice explores migration, cultural symbolism, and cross-cultural narratives. Working through illustration and spatial construction, Zorg reflects on social structures and psychological states embedded in real landscapes. His work examines how images generate meaning in motion often rooted in marginal communities and non-mainstream contexts. Through listening, collecting, and recomposing, he creates fluid visual texts that negotiate identity, emotion, and power. For Zorg, images are not just tools of expression, but visual agreements shaped by social relations.
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