Linocut on paper, 1958
Giuseppe Capogrossi  

Print : lithography · 47.2 x 64.7 cm 18.6 x 25.5 inch

€2,500 2 500 €

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Shipped from: Italy

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About the artwork

Type

Print : numbered and limited to 150 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

47.2 x 64.7 cm 18.6 x 25.5 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Linocut on paper.
Edited in 1958.
Limited edition of 150 copies, numbered 83/150 in lower left corner.
Hand-signed by artist in pencil in the lower right margin.

Paper size: 47.2 x 64.7 cm
Very good conditions, a few minor flaws

Bibliography: Capogrossi – Das graphische werk p. 34 ref 25

A regular certificate of Authenticity and legitimate provenience is provided, and also a copy of publication of the reference catalogue.

Abstract

Abstract art

Red

Giuseppe Capogrossi, Linocut on paper
Italy  • 1900

Presentation

Giuseppe Capogrossi is an Italian graphic designer and painter born March 7, 1900 in Rome and died October 9, 1972 in the same city.
After finishing his studies in law in 1922, Capogrossi moved to Paris in 1927 where he visited studios and academies and got fmiliarized with the new artistic trends. In 1937, he left Paris and began working as a painter in the center of Italy, dedicating his work to portraying the rural life of the area.

Back in Rome, Capogrossi studied at the Artistic School of the city. In 1949 he founded the group called "Origin" with Alberto Burri, Mario Balloco and Ettore Colla and turned to Neo-cubism. Gradually, his work, which was originally influenced by Picasso, Modigliani and Renoir lost all semblance to Realism and by the 50s, his artistic production started to be exclusively abstract.

Guiseppe Capogrossi is part of the New Roman School of Painting and acquired over the years a major importance in the informal Italian landscapes. He created his own abstract pictorial language composed of abstract ornamental signs of horizontal and oval shapes.

He participated as a guest for several years in exhibitions at the Venice Biennale, the Rome Quadrennial and at the price of Bergamo in 1939, 1940 and 1942. He also participated several times at the Documenta exhibition in Kassel and at the San Paolo Biennale in Brazil. In 1960, he exhibited at the 2nd International Biennial of Tokyo.

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