Paris... New-York., 2019
Print : engraving · 80 x 80 cm 31.5 x 31.5 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 125
Estimated delivery: Less than one week
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Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 25 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
80 x 80 cm 31.5 x 31.5 inch Height x Width x Depth
Artwork dimensions including frame
85 x 85 cm 33.5 x 33.5 inch
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Original print by André Juillard, signed and numbered by hand 15/25 by the artist. Large format 80 x 80 cm. Delivered framed under glass with a certificate of authenticity.
Presentation
He studied visual communication at high school and then joined drawing classes of Philippe Druillet, Jean-Claure Mézières and Jean Giraud from 1972 until 1973. Fascinated by the world of comics, he turned towards illustration right after his education. Initially things were difficult, and despite his participation in several competitions, he wasn't able to assert his position in the world of illustration. Eventually, he joined the Formula 1 team and published his first art work in 1974. At Fleurus, he mainly collaborated with Verrien, with whom he created a historical comic book, Bohémond de Saint-Gilles and with Didier Convard for the Isabelle Fantouri series.
In 1978, he joined Pif Gadget's editorial, where he collaborated with Patrick Cothias. They created the Masquerouge comic strip and then a new version of Les Sept Vies de l'Epervier for an adult audience. These works were acknowledged by Jean-Pierre Dionnet and Henri Filippini.
In the 80s, he pulled away from the world of comics and devoted himself to the book illustrations, collaborating with writers like Rudolph, William Faulkner, Irene Frain, Didier Daeninckx, etc.
In 1993, he began a new comic strip, le Cahier Bleu, which won several awards. Three years later, André Juillard received the “grand prix” in the city of Angoulême for his work.
With Yves Sente, he formed the renewal team of Blake and Mortimer. Their work was criticized quite a lot by professionals, even if they received support from the public.
In September 2008, the BDFIL festival of Lausanne dedicated a major exhibition to them.
Reviews from our customers
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