Sans titre, 1988
Print : lithography · 45 x 56 x 0.1 cm 17.7 x 22 x 0 inch
€400
400 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 36
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 75 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
45 x 56 x 0.1 cm 17.7 x 22 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating artwork presents a bold blend of black and gold strokes against an abstract background. Swirling lines and brushstrokes intertwine, creating a dynamic and energetic effect. Shades of gray and beige provide subtle depth, contrasting with the bursts of gold, which add a touch of sophistication and elegance. The eye is immediately drawn to the emerging geometric forms, blurring the line between abstraction and figuration. This interplay of textures and colors evokes a sense of movement and vibrant inner life. The piece suggests a free interpretation while maintaining perfect visual cohesion. This work is a remarkable example of contemporary art, combining innovation and technical mastery with a unique artistic sensibility.
Presentation
Born in 1942 in Odense, Kjeld Ulrich was a student of Kaj Kylborg at the Funen Art Academy from 1968 to 1976.
Ulrich's primary medium is acrylic on canvas, but an early introduction to drypoint had a major influence on his play with painting and graphics, and characterizes his expressionist and symbolic artistic language.
Using mixed media such as collage, acrylic and oil, Ulrich creates expressive abstract montages featuring recurring motifs of the female form, flowers and text. The spirit of the artist and his unique visual landscape lies in his use of minimalist strokes and a combination of monochrome or sparse color palettes.
Ulrich lived and worked in the Corbières, in the South of France, in the 1990s, then, returning to Denmark, he devoted himself to ceramics and decorated large vases, some of which are exhibited at the Lilleskov Teglværk museum in Tommerup.
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