Deux Boules Bleues, 1973
Print : Screen Print · 90 x 90 cm 35.4 x 35.4 inch
Shipping & delivery
Shipped from: Switzerland
Delivery to: Germany , € 102
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 100 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
90 x 90 cm 35.4 x 35.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
This powerful color silkscreen by Kumi Sugai from 1973 exemplifies the artist's mature geometric style, characterized by clarity, precision, and strong visual impact.
The work is hand-signed in pencil lower right and numbered in pencil lower left, emphasizing its authenticity and collectible nature.
Executed on thin card, the composition presents a dynamic arrangement of circular forms, linear patterns, and bold structural elements in a refined palette of blues, black, and neutral tones.
With a generous sheet size of approximately 90 × 90 cm, the print has a strong visual presence and embodies Sugai's distinctive fusion of graphic clarity and painterly sensitivity.
Authenticity and provenance guaranteed.
Delivered with a certificate of authenticity.
Worldwide shipping, tax-friendly to the USA and EU countries.
Custom handmade framing available on request.
Presentation
In 1937, he dropped out to work as a designer at a railway company until the end of World War II. In 1952, Kumi Sugaï moved to Paris and absorbed western styles, including Abstract Expressionism, and later, Minimalism and Pop Art. At first, Sugai worked with traditional ukiyo-e woodblock techniques, using bright colors to create prints infused with contemporary western influences.
In the 1960s, however, Sugai transitioned into painting and printing more geometric images of letters and traffic and directional signs. He quickly met international success, and exhibited work at the Sao Paulo Biennale, documenta at Kassel, and the Venice Biennale, as well as solo shows in New York and Tokyo.
In addition to painting, Kumi Sugaï wrote essays on his artistic process and, inspired by his friend, Alberto Giacometti (Swiss, 1901–1966), translated the subject matter of some of his paintings into small sculptures. Though his work fell out of the public eye, Sugai continued to work in his geometric style for the rest of his life. Sugai died in his hometown of Kobe in 1996.
Reviews from our customers
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