Bronze Sculpture for Sale
Scores for Cruising 1, 2024
Print : digital art, Digital color print · 21 x 29.7 x 0.5 cm 8.3 x 11.7 x 0.2 inch
€500
500 €
Shipping & delivery
Shipped from: Germany
Delivery to: France , € 45
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 3 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
21 x 29.7 x 0.5 cm 8.3 x 11.7 x 0.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Liz explores the sustainability of emotional and political ecologies, cruising methodologies, the potential of holes, as well as past and future histories related to the ways in which memory is queered through digital drawings and manipulation of imagery.
This artwork presents a mesmerizing display of intricate circles and patterns forming a symmetrical composition. Dominated by two large, dark circles, the piece captures attention with its hypnotic contrast against a complex background of smaller, interlocking circles in varying shades of black, grey, and white. The meticulous arrangement of these shapes creates a sense of depth and texture, inviting the viewer to explore the labyrinth of details within each section. The symmetry lends a harmonious balance, while the bold use of negative space in the large circles adds an element of mystery and focus. This captivating arrangement challenges perception and invites contemplation, showcasing the artist's skillful manipulation of geometric forms to evoke an enigmatic vision.
Presentation
Liz Rosenfeld (b.1979, USA/DE) is a Berlin based visual and performance artist who works in film/video, performance, and experimental writing practice. Liz addresses the sustainability of emotional and political ecologies, cruising methodologies, past and future histories in regard to the ways in which memory is queered. Liz's work deals with flesh as a non-binary collaborative material, specifically focussing on the potentiality of physical abundance and excess, approaching questions regarding the responsibility and privilege of taking up space. Embracing an auto- theoretical style, Liz's writing is rooted in questions that contend with how queer ontologies are grounded in variant hypocritical desire(s.)
Liz's films and performances have shown in international museums and venues including The Museum of Modern Art in Warsaw., The Forum Expanded Program of the 2022 Berlinale, Antifestval, Bärenzwinger Berlin, Mousonturm, Tanzhaus nrw, Kampnagel, 2019 Bergen Assembly,Berlinischer Galerie, Mapa Teatro, Sophiensæle, The Hebbel am Ufer Theatre, The Gorki Theater, Arts Admin, Galerie Emanuel Layr, The Tate Modern, The Hammer Museum, The Leslie Lohman Museum, The Barbican Centre, The CAC- Glasgow, Tramway, The Stedelijk Museum, The C/O Gallery, and The Deutsches Historisches Museum.
Liz's film, White Sands Crystal Foxes, was nominated for Best Experimental Short Film by the 2022 Teddy Awards of the Berlinale Film Festival. Liz was one of the nominated artists for the Antifestival 2022 Shortlist Live! Award.
Liz's short films are represented by Video Data Bank and LUX Moving Image.
Liz received an MFA in Performance from the School of the Art Institute of Chicago in 2005, followed by an MA from The Department of Performance Studies at New York University in 2007.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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